Torra-Mattenklott, Caroline (2013). Zwischen sinnlicher Offenbarung und Idolatrie der Vernunft. Hamanns Ästhetik der Bildwörter und seine Kritik an Mendelssohns "Jerusalem". In: Adler, Hans; Wolff, Lynn L. (eds.) Aisthesis und Noesis. Zwei Erkenntnisformen vom 18. Jahrhundert bis zur Gegenwart (pp. 65-83). München: Wilhelm Fink Verlag
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Item Type: |
Book Section (Book Chapter) |
|---|---|
Division/Institute: |
06 Faculty of Humanities > Department of Linguistics and Literary Studies > Institute of Germanic Languages 06 Faculty of Humanities > Department of Linguistics and Literary Studies > Institute of Germanic Languages > Modern German Literary Studies |
UniBE Contributor: |
Torra-Mattenklott, Caroline |
Subjects: |
100 Philosophy 100 Philosophy > 120 Epistemology 800 Literature, rhetoric & criticism 800 Literature, rhetoric & criticism > 830 German & related literatures |
ISBN: |
978-3-7705-5472-0 |
Publisher: |
Wilhelm Fink Verlag |
Language: |
German |
Submitter: |
Caroline Torra-Mattenklott |
Date Deposited: |
28 Apr 2014 10:58 |
Last Modified: |
05 Dec 2022 14:33 |
Uncontrolled Keywords: |
Idolatrie, Sprachbildlichkeit, Aufklärung, Vernunft, Erkenntnis, Evidenz, Schrift, Opazität, Transparenz, Zeichen, ars characteristica universalis, Hamann Johann Georg, Mendelssohn Moses |
BORIS DOI: |
10.7892/boris.49884 |
URI: |
https://boris.unibe.ch/id/eprint/49884 |
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