Ross, Sarah

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2015

Sweers, Britta; Ross, Sarah; Foerger, Annette; Losleben, Katrin; Wegner, Sascha; Hilder, Thomas (eds.) (2015). European Journal of Musicology, 2015. Institute für Musikwissenschaft

2014

Sweers, Britta; Ross, Sarah; Foerger, Annette (eds.) (2014). European Journal of Musicology. Universität Bern, Institut für Musikwissenschaft

2013

Ross, Sarah (September 2013). Intangible Cultural Heritage: Key Concept for a Sustainability Science in Ethnomusicology? (Unpublished). In: XXIX European Seminar in Ethnomusicology: Cultural Mapping and Musical Diversity. Bern. 4.- 8.9.2013.

Ross, Sarah (21 March 2013). "What would Miriam sing?" Synagogalmusik aus feministischer Perspektive (Unpublished). In: Bet Deborah. Berlin. 21.3.2013.

Ross, Sarah; Levy, Gabriel; Al-Suadi, Soham (eds.) (2013). Judaism and Emotion - Texts, Performance, Experience. Studies in Judaism: Vol. 7. New York: Peter Lang

Ross, Sarah (2013). General Introduction: Reflections on Judaism and Emotion. In: Ross, Sarah; Al-Suadi, Soham; Levy, Gabriel (eds.) Judaism and Emotion: Texts, Performance, Experience. Studies in Judaism: Vol. 7 (pp. 1-13). New York: Peter Lang New York

Ross, Sarah (2013). Introduction to Performance Section. In: Levy, Gabriel; Ross, Sarah; Al-Suadi, Soham (eds.) Judaism and Emotion: Texts, Performance, Experience. Studies in Judaism: Vol. 7 (pp. 63-65). New York: Peter Lang

Ross, Sarah; Levy, Gabriel (2013). Emotional and Cognitive Rhythms in Jewish Ritual Music. In: Ross, Sarah; Al-Suadi, Soham; Levy, Gabriel (eds.) Judaism and Emotion. Texts, Performance, Experience. Studies in Judaism: Vol. 7 (pp. 99-118). New York: Peter Lang

Ross, Sarah (2013). Shofar Gadol: Jüdische Musik auf dem Schweizer Nationalinstrument. In: Krämer, Oliver; Schröder, Martin (eds.) "Hebt man den Blick, so sieht man keine Grenzen." Grenzüberschreitungen als Paradigma in Kunst und Wissenschaft (pp. 135-142). Essen: Die Blaue Eule

Ross, Sarah (2013). Sense or Absence of Nationalism: Searching for a Swiss-Jewish Musical Identity (Submitted). In: Music and Minorities - Research, Documentation and Interdisciplinary Study of Minorities from around the World. Newcastle upon Tyne: Cambridge Scholar Press

Ross, Sarah (2013). Musikalische Grenzgängerinnen: Wie Frauen den Kanon amerikanischer synagogaler Musik neu bestimmen (Submitted). In: Borchard, Beatrix (ed.) 10 Jahre MUGI - Erfahrungen und Ergebnisse. Olms

Förger, Annette; Grimes, Nicole; Marx, Wolfgang; Stollberg, Arne; Ross, Sarah; Sweers, Britta (eds.) (2013). Frankfurter Zeitschrift für Musikwissenschaft. Frankfurter Zeitschrift für Musikwissenschaft

2012

Ross, Sarah (2012). Jiddischer Tango: 'so easily assimilated'. The Norient Academic Journal

Sweers, Britta; Ross, Sarah (2012). The Ethnomusicologist as Cultural-Political Mediator: Applied Work with Migrants in Switzerland (Unpublished). In: ICTM Study Group Meeting on Applied Ethnomusicology. University of Nicosia, Cyprus. April 2012.

Ross, Sarah (2012). Sense or Absence of Nationalism: Searching for a Swiss National Essence in Jewish Music (Unpublished). In: ICTM Study Group Meeting on Music and Minorities. Academic College Zefat, Israel. August 2012.

Ross, Sarah; Sweers, Britta (2012). A Blank Field of Musical Traditions? (Re-)Constructing Ethnomusicology in Contemporary Switzerland. In: Richter, Pal (ed.) Musical Traditions: Discovery, Inquiry, Interpretation, and Application: XXVI European Seminar in Ethnomusicology (pp. 89-115). Budapest: HAS, Research Centre for the Humanities

Ross, Sarah (2012). Translating American-Jewish Feminism through Mediterranean Music: Reflections on Consuelo Luz's Compositions within the Context of Crypto-Jewish Tradition. Journal of Mediterranean Studies: History, Culture and Society in the Mediterranean World, 21(2), pp. 303-320. Mediterranean Institute. University of Malta

Ross, Sarah; Beyer, Theresa (2012). Diversität crescendo! Schweizer Musikzeitung / Revue Musicale Suisse / Rivista Musicale Svizzera(3), p. 23. Verein Schweizer Musikzeitung

Ross, Sarah; Beyer, Theresa (2012). 'Diversität' - einem Schillerenden Begriff auf der Spur. Schweizer Musikzeitung / Revue Musicale Suisse / Rivista Musicale Svizzera(1), p. 51. Verein Schweizer Musikzeitung

Förger, Annette; Grimes, Nicole; Marx, Wolfgang; Ross, Sarah; Sweers, Britta (eds.) (2012). European Journal of Musicology. Institut für Musikwissenschaft, Universität Bern

2011

Ross, Sarah M. (2011). Jiddischer Tango, Milonga Plus. In: Universität Basel. November 2011.

Ross, Sarah M. (2011). What would Miriam sing? Jüdische Ritualmusik aus feministisch-amerikanischer Perspektive, Schweizerische Musikforschende Gesellschaft, Universität Bern, November 2011.

Ross, Sarah M. (2011). Fieldwork between Heart and Brain, Imagination and Reality: Toward the Production and Representation of Musical Knowledge, ICTM World Conference 2011, Memorial University of Newfoundland, Kanada.

Ross, Sarah M. (2011). Musical timescapes: Constructing and experiencing time in Jewish ritual music.

Ross, Sarah M. (2011). What would Miriam Sing? Die Prophetin Miriam als Vorbild und Inspiration Jüdisch-Feministischer Ritualmusik. In: Möller, Hartmut; Schneider, Martin (eds.) Musik, Kultur, Wissenschaft. Rostocker Schriften zur Musikwissenschaft und Musikpädagogik: Vol. 1 (pp. 12-42). Essen: Die Blaue Eule

2010

Ross, Sarah (2010). Ethel Leginska. In: Kreuziger-Herr, Anette; Unseld, Melanie (eds.) Lexikon Musik und Gender (pp. 330-331). Kassel: Bärenreiter

Ross, Sarah (2010). Jocelyn Pook. In: Kreuziger-Herr, Anette; Unseld, Melanie (eds.) Lexikon Musik und Gender (p. 432). Kassel: Bärenreiter

Ross, Sarah (2010). Musik für Frauen. In: Kreuziger-Herr, Anette; Unseld, Melanie (eds.) Lexikon Musik und Gender (pp. 227-228). Kassel: Bärenreiter

Ross, Sarah M. (2010). Die sinnliche Erfahrbarkeit Gottes. Zur Ästhetik Jüdisch-Feministischer Musik in den USA. In: Brunner, Anja; Parzer, Michael (eds.) pop: aesthetiken: Beiträge zum Schönen in der populären Musik. Werkstatt Populäre Musik: Vol. 2 (pp. 113-138). Innsbruck, Wien, Bozen: Studienverlag

Ross, Sarah (2010). Introduction to Judaism and Emotion, Judaism and Emotion: Texts, Performance, Experience, Bern, 7.10.2010.

Ross, Sarah; Sweers, Britta (2010). Mit jüdischer Musik durch das Jahr. Musik & Bildung, 3, pp. 54-59. Mainz: Schott

Ross, Sarah; Sweers, Britta (2010). A Blank Field of Musical Traditions? (Re-)Constructing Ethnomusicology in Contemporary Switzerland, XXVI. Conference of the European Seminar in Ethnomusicology, University of Budapest (Ungarn), 22.-25.9.2010.

Ross, Sarah (2010). Translating American Jewish Feminism through Mediterranean Music, 8th Meeting of the Study Group Anthropology of Music in Mediterranean Cultures ICTM/UNESCO: Musical Translations Across the Mediterranean, Valletta, University of Malta, 1-4.7.2010.

Ross, Sarah; Gabriel, Levy (2010). Jewish Ritual Music as Cognitive Process, Annual Conference of the British Forum for Ethnomusicology: Musical Knowledge, Oxford, 8-11.4.2010.

Ross, Sarah (2010). How Does One Sing to a God Who Isn't the Lord? Sacred Singing in American-Jewish Feminism. Musiké - international journal of ethnomusicological studies, 5/6(III,1), pp. 201-216. Roma: Semar

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