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Ross, Sarah (September 2013). Intangible Cultural Heritage: Key Concept for a Sustainability Science in Ethnomusicology? (Unpublished). In: XXIX European Seminar in Ethnomusicology: Cultural Mapping and Musical Diversity. Bern. 4.- 8.9.2013.
Ross, Sarah (21 March 2013). "What would Miriam sing?" Synagogalmusik aus feministischer Perspektive (Unpublished). In: Bet Deborah. Berlin. 21.3.2013.
Ross, Sarah; Levy, Gabriel; Al-Suadi, Soham (eds.) (2013). Judaism and Emotion - Texts, Performance, Experience. Studies in Judaism: Vol. 7. New York: Peter Lang
Ross, Sarah (2013). General Introduction: Reflections on Judaism and Emotion. In: Ross, Sarah; Al-Suadi, Soham; Levy, Gabriel (eds.) Judaism and Emotion: Texts, Performance, Experience. Studies in Judaism: Vol. 7 (pp. 1-13). New York: Peter Lang New York
Ross, Sarah (2013). Introduction to Performance Section. In: Levy, Gabriel; Ross, Sarah; Al-Suadi, Soham (eds.) Judaism and Emotion: Texts, Performance, Experience. Studies in Judaism: Vol. 7 (pp. 63-65). New York: Peter Lang
Ross, Sarah; Levy, Gabriel (2013). Emotional and Cognitive Rhythms in Jewish Ritual Music. In: Ross, Sarah; Al-Suadi, Soham; Levy, Gabriel (eds.) Judaism and Emotion. Texts, Performance, Experience. Studies in Judaism: Vol. 7 (pp. 99-118). New York: Peter Lang
Ross, Sarah (2012). Jiddischer Tango: 'so easily assimilated'. The Norient Academic Journal
Sweers, Britta; Ross, Sarah (2012). The Ethnomusicologist as Cultural-Political Mediator: Applied Work with Migrants in Switzerland (Unpublished). In: ICTM Study Group Meeting on Applied Ethnomusicology. University of Nicosia, Cyprus. April 2012.
Ross, Sarah (2012). Sense or Absence of Nationalism: Searching for a Swiss National Essence in Jewish Music (Unpublished). In: ICTM Study Group Meeting on Music and Minorities. Academic College Zefat, Israel. August 2012.
Ross, Sarah; Sweers, Britta (2012). A Blank Field of Musical Traditions? (Re-)Constructing Ethnomusicology in Contemporary Switzerland. In: Richter, Pal (ed.) Musical Traditions: Discovery, Inquiry, Interpretation, and Application: XXVI European Seminar in Ethnomusicology (pp. 89-115). Budapest: HAS, Research Centre for the Humanities
Ross, Sarah (2012). Translating American-Jewish Feminism through Mediterranean Music: Reflections on Consuelo Luz's Compositions within the Context of Crypto-Jewish Tradition. Journal of Mediterranean Studies: History, Culture and Society in the Mediterranean World, 21(2), pp. 303-320. Mediterranean Institute. University of Malta
Ross, Sarah; Beyer, Theresa (2012). Diversität crescendo! Schweizer Musikzeitung / Revue Musicale Suisse / Rivista Musicale Svizzera(3), p. 23. Galledia Fachmedien AG
Ross, Sarah; Beyer, Theresa (2012). 'Diversität' - einem Schillerenden Begriff auf der Spur. Schweizer Musikzeitung / Revue Musicale Suisse / Rivista Musicale Svizzera(1), p. 51. Galledia Fachmedien AG
Ross, Sarah M. (2011). Jiddischer Tango, Milonga Plus. In: Universität Basel. November 2011.
Ross, Sarah M. (2016). Musikalische Grenzgängerinnen: Wie Frauen den Kanon amerikanischer synagogaler Musik neu bestimmen. In: Borchard, Beatrix; Back, Regina; Treydte, Elisabeth (eds.) Musik(vermittlung) und Gender(forschung) im Internet. Perspektiven einer anderen Musikgeschichtsschreibung. Studien und Materialien zur Musikwissenschaft: Vol. 92 (pp. 215-238). Hildesheim: Olms
Ross, Sarah (2014). Sense or Absence of Nationalism: Searching for a Swiss-Jewish Musical Identity. In: Hemetek, Ursula; Marks, Essica; Reyes, Adelaida (eds.) Music and Minorities - Research, Documentation and Interdisciplinary Study of Minorities from around the World (pp. 115-141). Newcastle upon Tyne: Cambridge Scholar Press
Ross, Sarah (2013). Shofar Gadol: Jüdische Musik auf dem Schweizer Nationalinstrument. In: Krämer, Oliver; Schröder, Martin (eds.) "Hebt man den Blick, so sieht man keine Grenzen." Grenzüberschreitungen als Paradigma in Kunst und Wissenschaft (pp. 135-142). Essen: Die Blaue Eule
