Behn, Marcel (2017). Offene Manipulation im weißen Akt. Reflexionen über race und gender in The Last Attitude. In: Re/Produktionsmaschine Kunst. Kategorisierungen des Körpers in den Darstellenden Künsten. Theater: Vol. 92 (pp. 245-257). Bielefeld: transcript
Full text not available from this repository.Item Type: |
Book Section (Book Chapter) |
---|---|
Division/Institute: |
06 Faculty of Humanities > Department of Art and Cultural Studies > Institute of Theater Studies |
UniBE Contributor: |
Behn, Marcel |
Subjects: |
700 Arts > 790 Sports, games & entertainment |
ISBN: |
978-3-8376-3684-0 |
Series: |
Theater |
Publisher: |
transcript |
Language: |
German |
Submitter: |
Marcel Behn |
Date Deposited: |
08 Nov 2017 08:26 |
Last Modified: |
05 Dec 2022 15:07 |
URI: |
https://boris.unibe.ch/id/eprint/105332 |