Exploring Magic Realism in Salman Rushdie's Fiction

Kluwick, Ursula (2011). Exploring Magic Realism in Salman Rushdie's Fiction. Routledge Studies in Twentieth-Century Literature. London: Routledge

Full text not available from this repository. (Request a copy)

Kluwick breaks new ground in this book, moving away from Rushdie studies that focus on his status as postcolonial or postmodern, and instead considering the significance of magic realism in his fiction. Rushdie’s magic realism, in fact, lies at the heart of his engagement with the post/colonial. In a departure from conventional descriptions of magic realism—based primarily on the Latin-American tradition—Kluwick here proposes an alternative definition, allowing for a more accurate description of the form. She argues that it is disharmony, rather than harmony, that is decisive: that the incompatibility of the realist and the supernatural needs to be recognized as a driving force in Rushdie’s fiction. In its rigorous analysis of this Rushdian magic realism, this book considers the entire corpus—Midnight’s Children, Shame, The Satanic Verses, The Moor’s Last Sigh, The Ground Beneath Her Feet, Shalimar the Clown, and The Enchantress of Florence. This study is the first of its kind to do so.

Item Type:

Book (Monograph)


06 Faculty of Humanities > Department of Linguistics and Literary Studies > Institute of English Languages and Literatures

UniBE Contributor:

Kluwick, Ursula Maria




Routledge Studies in Twentieth-Century Literature






Factscience Import

Date Deposited:

04 Oct 2013 14:34

Last Modified:

06 Mar 2015 11:41


https://boris.unibe.ch/id/eprint/13446 (FactScience: 219974)

Actions (login required)

Edit item Edit item
Provide Feedback