Fournier Kiss, Corinne (2023). Le modernisme polonais : quelle(s) dramaturgie(s) ? Étude comparative des carrières théâtrales de Gabriela Zapolska et de Stanisław Wyspiański (In Press). In: Femmes de spectacle (danse, opéra, théâtre). Création, représentation et sociabilité au féminin, 1650-1914 (pp. 71-85). Leyden: Brill
Full text not available from this repository.The renewal of theater writing in Polish modernism owes as much to a man, Stanisław Wyspiański, as to a woman, Gabriela Zapolska. For both, their time in Paris in the 1890s stimulated their vocation as playwrights, which would reach its full development at the turn of the century in Cracow. Nevertheless, whereas Wyspiański enjoyed immediate recognition at the national and international level, such was not the case of Zapolska who, even today, is unknown outside her country. How can we explain this difference in notoriety between two equally innovative art-ists who worked in the same circles and at the same time?
Item Type: |
Book Section (Book Chapter) |
|---|---|
Division/Institute: |
06 Faculty of Humanities > Department of Linguistics and Literary Studies > Institute of French Language and Literature |
UniBE Contributor: |
Fournier Kiss, Corinne |
Subjects: |
800 Literature, rhetoric & criticism 800 Literature, rhetoric & criticism > 840 French & related literatures 800 Literature, rhetoric & criticism > 890 Other literatures |
Publisher: |
Brill |
Language: |
French |
Submitter: |
Corinne Ingrid Fournier Kiss |
Date Deposited: |
29 Nov 2023 07:33 |
Last Modified: |
29 Nov 2023 07:33 |
Uncontrolled Keywords: |
Modernisme polonais, Zapolska (Gabriela), Wyspiański (Stanisław), Paris, naturalisme, symbolisme |
URI: |
https://boris.unibe.ch/id/eprint/189523 |
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