Kotte, Andreas
(2012).
Der Performer als Objekt seiner selbst. Das Prinzip Schlingensief.
In:
Kreuder, Friedemann; Bachmann, Michael; Pfahl, Julia; Volz, Dorothea
(eds.)
Theater und Subjektkonstitution. Theatrale Praktiken zwischen Affirmation und Subversion. Theater: Vol. 33 (pp. 241-252).
Bielefeld: Transcript
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Item Type: |
Book Section
(Book Chapter)
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Division/Institute: |
06 Faculty of Humanities > Department of Art and Cultural Studies > Institute of Theater Studies |
UniBE Contributor: |
Kotte, Andreas Hans |
Subjects: |
700 Arts > 790 Sports, games & entertainment |
ISBN: |
978-3-8376-1809-9 (kart.) |
Series: |
Theater |
Publisher: |
Transcript |
Language: |
German |
Submitter: |
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Date Deposited: |
20 Dec 2013 09:12 |
Last Modified: |
05 Dec 2022 14:27 |
URI: |
https://boris.unibe.ch/id/eprint/39876 |
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