Fernández Rodríguez, Natalia (2014). Imaginería sacra y espacios pictóricos en las comedias de santos de Lope de Vega. eHumanista, 28, pp. 628-642. University of California
|
Text
ehum28.nataliafdez.pdf - Published Version Available under License Publisher holds Copyright. Download (480kB) | Preview |
Departing from the concepts of visualism and theatricality understood as the base of the world view of an epoch, a reflection about the presence of a pictorial-based expressiveness in the performance of Lope’s comedias de santos is suggested. Besides the analysis of the suitable contexts and staging procedures associated to the appearance of sacred images on stage, static performances, closer to painting than to drama, are also taken into account as a device which contribute to create that transcendent meaning which is essential to hagiographical comedias.
Item Type: |
Journal Article (Original Article) |
---|---|
Division/Institute: |
06 Faculty of Humanities > Department of Linguistics and Literary Studies > Institute of Spanish Languages and Literature |
UniBE Contributor: |
Fernández Rodríguez, Natalia |
Subjects: |
800 Literature, rhetoric & criticism > 860 Spanish & Portuguese literatures 400 Language > 460 Spanish & Portuguese languages |
ISSN: |
1540-5877 |
Publisher: |
University of California |
Language: |
Español |
Submitter: |
Natalia Fernández Rodríguez |
Date Deposited: |
21 Apr 2015 15:37 |
Last Modified: |
05 Dec 2022 14:45 |
BORIS DOI: |
10.7892/boris.67267 |
URI: |
https://boris.unibe.ch/id/eprint/67267 |