Heiligenspielrezeption in der Schweiz 1929: Das Bruderklausenspiel von Oskar Eberle

Gfeller, Simone (2014). Heiligenspielrezeption in der Schweiz 1929: Das Bruderklausenspiel von Oskar Eberle. European Medieval Drama, 18, pp. 159-173. Belgium: Brepols Publishers 10.1484/J.EMD.5.110510

Text EMD_18_article_07.pdf.pdf - Published Version Restricted to registered users only Available under License Publisher holds Copyright. Download (761kB)

Based on Hansjürgen Linke’s study about the history of the reception of religious and secular medieval plays in twentieth-century Germany, the paper examines the respective situation in Switzerland. It focusses on the Bruderklausenspiel (1929), written and staged by Oskar Eberle. The director and scholar Oskar Eberle, and the Schweizerische Gesellschaft für Theaterkultur (SGTK) were the most influential supporters of the reception of religious plays in twentieth-century Switzerland. While in Germany the revival of medieval theatre emphasized a Renaissance of a former national importance, in Switzerland, the situation was very different. The revival of religious plays had a certain confessional background, and the political idea was to strengthen national self-confidence, and to confirm the nation’s historical neutrality concerning foreign affairs.

Interest & Impact

Downloads

4 since deposited on 26 Jul 2016
0 in the past 12 months

Citations

5 Citations in Web of Science ®
6 Citations in Scopus

Search

in Google Scholar™

Services

Actions (login required)

Edit item

Actions (login required)

Edit item