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Kluwick, Ursula Maria; Huber, Irmtraud (2022). Material Agency: Early Modern Perspectives: An Outlook (Unpublished). In: ESSE Conference 2022. University of Mainz. 1. September 2022.
Huber, Irmtraud (2018). „A truth looks freshest in the fashion of the day“ – die Gegenwartskontroverse in der Viktorianischen Dichtung. In: Geyer, Stefan; Lehmann, Johannes F. (eds.) Aktualität. Zur Geschichte literarischer Gegenwartsbezüge. Ästhetische Eigenzeiten: Vol. 11 (pp. 297-320). Hannover: Wehrhahn
Funk, Wolfgang; Huber, Irmtraud (2018). Introduction. European journal of English studies (EJES), 22(3), pp. 217-223. Routledge 10.1080/13825577.2018.1513717
Huber, Irmtraud (2016). Present Tense Narration in Contemporary Fiction. A Narratological Overview. London: Palgrave Macmillan 10.1057/978-1-137-56213-5
Huber, Irmtraud (27 September 2015). Of missing fathers and Big Fish: reconstructive tendencies after postmodernism (Unpublished). In: ASAP/7: Arts & the Public. Greenville, SC. 24.-27.09.2015.
Huber, Irmtraud (9 June 2015). “But look: we have sat here too long”: Hilary Mantel’s tightrope walk of present-tense usage (Unpublished). In: Privileging the Unseen. Manchester. 09.06.2015.
Huber, Irmtraud (2014). Literature after Postmodernism: Reconstructive Fantasies. Basingstoke: Palgrave Macmillan
Huber, Irmtraud (July 2014). Timely Tenses: Considering Present Tense Narration (Unpublished). In: What Happens Now? Literature in the 21st Century. Lincoln. 14.-17.07.2014.
Huber, Irmtraud (April 2014). On the Limits of Greenwich Mean Time, or The Failure of a Modernist Revolution (Unpublished). In: Annual Conference of the British Society for Literature and Science: (BSLS). Guildford. 10.-12.04.2014.
Huber, Irmtraud (March 2014). Unnatural Narration beyond Postmodernist Alterities (Unpublished). In: International Conference on Narrative. Massachusetts Institute of Technology, Cambridge, Mass.. 27. -29.03.2014.
Huber, Irmtraud (2014). Greenwich-Meridian (Submitted). In: Schrott, Raoul; Lubrich, Oliver; Toggweiler, Michael (eds.) KulturTransfer. Hanser
Huber, Irmtraud (2013). The Usual Suspects: Jewish Magical Realism, Trauma and the Holocaust. Symbolism, 12/13, pp. 210-230. AMS Press
Huber, Irmtraud (2013). Rezension zu: Wolfgang Funk und Lucia Krämer, eds. Fiktionen von Wirklichkeit: Authentizität zwischen Materialität und Konstruktion. Anglistik - International Journal of English Studies, 24(1), pp. 221-223. Winter
Huber, Irmtraud (2013). Wissenschaft als Beruf? Das Paradox des heutigen Wissenschaftsverständnisses. Bulletin VSH-AEU, 39(3/4), pp. 35-37. Vereinigung der Schweizerischen Hochschuldozierenden
Huber, Irmtraud (2013). Reconstructive Dreams: A Pragmatic Fantastic After Postmodernism (Unpublished). (Dissertation, Universität Bern, Institut für Englische Sprachen und Literaturen)
Huber, Irmtraud (2012). A Quest for Authenticity: Jonathan Safran Foer's. Everything is illuminated. In: Straub, Julia (ed.) Paradoxes of Authenticity. Studies on a Critical Concept. Cultural and media studies (pp. 115-133). Bielefeld: Transcript
Funk, Wolfgang; Gross, Florian; Huber, Irmtraud (eds.) (2012). The Aesthetics of Authenticity. Medial Constructions of the Real. Cultural and media studies. Bielefeld: Transcript
Funk, Wolfgang; Gross, Florian; Huber, Irmtraud (2012). Exploring the Empty Plinth. The Aesthetics of Authenticity. In: Funk, Wolfgang; Gross, Florian; Huber, Irmtraud (eds.) The Aesthetics of Authenticity. Medial Constructions of the Real. Cultural and media studies (pp. 9-21). Bielefeld: Transcript
Huber, Irmtraud; Seita, Sophie (2012). Authentic Simulacra or the Aura of Repetition. Experiencing Authenticity in Tom McCarthy's Remainder. In: Funk, Wolfgang; Gross, Florian; Huber, Irmtraud (eds.) The Aesthetics of Authenticity. Medial Constructions of the Real. Cultural and media studies (pp. 261-280). Bielefeld: Transcript
Huber, Irmtraud (2012). Phantastische Flucht ins Historische: Michael Chabons Amazing Adventures of Kavalier & Clay als rekonstruktive Antwort auf die Postmoderne. In: Birnstiel, Klaus; Schilling, Erik (eds.) Literatur und Theorie seit der Postmoderne (pp. 187-197). Stuttgart: Hirzel Verlag
Huber, Irmtraud (2012). Nomadic Truths: Fantastic Fictions Beyond Postmodernism (Unpublished). In: Graduate-Forum HGGS. Heidelberg, Germany. 1.-2.6.2012.
Huber, Irmtraud (2012). Reconstructive Dreams - The Fantastic in David Mitchell's number9dream, What happens now? (Unpublished). In: 21st Century Writing in English. Lincoln, UK. 16.-18.7.2012.
Huber, Irmtraud (2012). A Literature of Reconstruction? or, are we really Po-Pomo? (Unpublished). In: 11th Conference of the European Society for the Study of English. Istanbul, Turkey. 4.-8.9.2012.
Huber, Irmtraud (2012). Beyond Subversion - Rethinking the Fantastic after Postmodernism (Unpublished). In: The Basic Categories of Fantastic Literature Revisited. Lodz, Poland. 21.-23.10.2012.
Huber, Irmtraud (2010). Ethical Magic: Traumatic Magic Realism in Toni Morrison's Beloved. Zeitschrift für Anglistik und Amerikanistik, 58(4), pp. 367-379. Köln: De Gruyter 10.1515/zaa.2010.58.4.367
Huber, Irmtraud (2010). Fatal Authenticity - Tom McCarthy's Remainder and the Cult of Repetition, Aesthetics of Authenticity, Representations of Self and Other in Literature and Culture, Hanover, Germany, 5.11.2010.
Huber, Irmtraud (2009). Ethic Magic: The Ethic potential of Magic Realism, ASNEL-Conference, Postcolonial Translocations, Münster, Germany, 21.-24.5.2009.
Huber, Irmtraud (2009). Mythic Self-De(con)struction - Angela Carter's The Passion of New Eve, Angela Carter: Critical Explorations, Northampton, UK, 5.-6.6.2009.
