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Hyman, Aaron Michael (1 December 2022). Rubens’s Wastepaper and the Eloquence of Substrate (Unpublished). In: Öffentlicher Vortrag. Boston University, Boston. 1.12.2022.
Hyman, Aaron Michael (17 November 2022). Writing an Empire (Unpublished). In: Calligraphy Books in the Early Modern World. Newberry Library, Chicago. 17.11.2022.
Hyman, Aaron Michael (6 October 2022). Letterform Literacy, or Seeing Script in Sixteenth-Century New Spain (Unpublished). In: Öffentlicher Vortrag. Universität Zürich, Zurich, Switzerland. 6.10.2022.
Hyman, Aaron Michael (1 October 2022). The Loops and Knots of Bernardo de Gálvez’s Equestrian Portrait (Unpublished). In: Objects Talk: Transformations in Iberian American Art. Los Angeles County Museum of Art and University of California, Los Angeles. 30.09.-1.10.2022.
Hyman, Aaron Michael (9 September 2022). Colonial Collecting (Unpublished) Washington, D.C: National Gallery of Art
Hyman, Aaron Michael (4 May 2022). Michael Snijders and the Copy’s Copiousness (Unpublished). In: Öffentlicher Vortrag. University of Cambridge, Cambridge, Grossbritannien. 4.05.2022.
Hyman, Aaron Michael (4 May 2022). Global Rubens: A Roundtable with Adam Sammut and Ana Howie (Unpublished) Cambridge, Grossbritannien: University of Cambridge
Hyman, Aaron Michael (27 April 2022). Form/Material – Transatlantic/Transpacific (Unpublished). In: Transpacific Engagements. Ayala Museum, Manila, The Philippines. 27.04.2022.
Hyman, Aaron Michael (2 April 2022). Quills Without Ink, or the Potency of Letterforms in New Spanish Featherwork (Unpublished). In: Renaissance Society of America. Dublin, Ireland. 30.03.-02.04.2022.
Hyman, Aaron Michael (27 January 2022). Crossing the Line: Cristóbal de Villalpando and the Surplus of Script (Unpublished). In: Öffentlicher Vortrag. California State University, Fresno. 27.01.2022.
Hyman, Aaron M. (2023). The Matter of Merchant Paper (Unpublished). In: CURRENT RESEARCH. LEKTÜRESEMINAR AM ZI. 07.06.2023.
Hyman, Aaron Michael (2023). Así repiten aún las piedras’: Juan de Roelas, Seville of 1615, and the City as Substrate (Unpublished). In: ARTES 2023 Nigel Glendinning lecture.
Hyman, Aaron Michael (2023). Letterform Literacy in the Spanish World (Unpublished). In: Keynote Lecture, Annual Undergraduate Art History Symposium. Florenz. 04.05.2023.
Hyman, Aaron Michael (2023). Peter Paul Rubens and the Matter of Merchant Waste (Unpublished). In: SUNY New Paltz, New Paltz (New York). New York.
Hyman, Aaron Michael (2023). Once-Holy Paper, or Toward an Ontology of Loss (Unpublished). In: Sixteenth Century Studies Society Annual Conference.
Hyman, Aaron Michael (2023). Seville Papered Over, or The Culture of Religious Debate in Early Seventeenth-Century Spain (Unpublished). In: Material Texts: Religion, Mobility, Responsibility, European Research Council PURANA Project. Universiteit Leiden, Leiden.
Hyman, Aaron Michael (2023). The Dutch Americas (Unpublished). In: College Art Association. New York.
Hyman, Aaron Michael (2023). The Circulating Lifeblood of Ideas: Leo Steinberg’s Library of Prints (Unpublished). In: Society of Fellows in Critical Bibliography Book Launch Series.
Hyman, Aaron M. (2023). “‘The Uniformity of a Distinctive National Character:’ Loops, Knots, and Bernardo de Gálvez’s Calligraphic Equestrian Portrait.”. West 86th : a journal of decorative arts, design history, and material culture, 30(1), pp. 29-49. University of Chicago Press
Hyman, Aaron M.; Mundi, Barbara E. (2023). The Colonial Archive and its Fictions. Colonial Latin American review, 32(3), pp. 312-344. Routledge, Taylor & Francis Group 10.1080/10609164.2023.2246831
Hyman, Aaron Michael (2023). Conclusion: Artistic Presences in Latin America. In: Stanfield-Mazzi, Maya; Vargas-Betancourt, Margarita (eds.) Collective Creativity and Artistic Agency in Colonial Latin America (pp. 228-237). University of Florida Press
Hyman, Aaron M. (2022). Baroque Assumptions. 21: inquiries into art, history, and the visual : Beiträge zur Kunstgeschichte und visuellen Kultur, 3(3), pp. 565-626. arthistoricum.net 10.11588/xxi.2022.3.90234
Hyman, Aaron Michael; Katzew, Ilona (2022). Nicolás Enríquez, The Marriage of the Virgin, The Visitation and the Birth of Saint John the Baptist, and The Adoration of the Kings with Viceroy Pedro de Castro y Figueroa. Attributed to Juan Rodríguez Juárez, Miracles of San Salvador de Horta. In: Archive of the World: Art and Imagination in Spanish America, 1500–1800: Highlights from LACMA’s Collection. (pp. 248-256). Los Angeles: Delmonico Books/Los Angeles County Museum of Art
Hyman, Aaron M. (2022). Crossing the Line: Cristóbal de Villalpando and the Surplus of Script. Art History, 45(2), pp. 308-341. John Wiley & Sons Ltd 10.1111/1467-8365.12637
