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Kersey, Kristopher (2021). The Early Modern Fold: Pleated Media in Japan's Encounter with Europe (In Press). In: Vanhaelen, Angela; Wilson, Bronwen (eds.) Making Worlds: Global Invention in the Early Modern Period. Toronto: Toronto University Press
Kersey, Kristopher W. (2020). The Afterlife of the Western Canon: Archive and Eschatology in Contemporary Japan. The art bulletin, 102(4), pp. 121-145. Routledge 10.1080/00043079.2020.1765639
Kersey, Kristopher (8 December 2019). The Early Modern Fold: Pleated Media in Japan’s Encounter with Europe (Unpublished). In: The Many Shapes of Meaning: Object and Performance in Asia. Japan. 07.-08.12.2019.
Kersey, Kristopher William (June 2019). The Japanese Folding Fan in the Hands of Modernity (Unpublished). In: San Diego Museum of Art.
Kersey, Kristopher William (May 2019). The Early Modern Fold: Pleated Fans in Japan’s Encounter with Europe (Unpublished). In: Making Worlds: Art, Materiality, and Early Modern Globalization III.
Kersey, Kristopher William (May 2019). Imaging the Mind in Medieval Japanese Buddhism: Ajikan and its Artifacts (Unpublished). In: 28th Annual Patricia McCarron McGinn Lecture. University of California, Los Angeles.
Kersey, Kristopher William (February 2019). Facing Death in Global Modernity, 1600–1900 (Unpublished). In: 107th Annual Meeting of the College Art Association. New York.
Kersey, Kristopher William (January 2019). Reconsidering the Eyeless Sūtra (Menashikyō): Temporality, Dissonance, Method, and Ritual (Unpublished). In: The International Master’s Program and International Doctorate in Japanese Humanities Distinguished Lecture Series. Kyūshū University, Fukuoka, Japan.
Kersey, Kristopher William (December 2018). The Japanese Folding Fan in the Hands of Modernity (Unpublished). In: Thirty-first Annual Michele and Peter Berton Memorial Lecture on Japanese Art. Los Angeles County Museum of Art (LACMA).
Kersey, Kristopher William (May 2018). Faces in Japanese Art (Unpublished). In: Public lecture by invitation of the Embassy of Japan. Japan Information & Culture Center, Washington, DC.
Kersey, Kristopher William (February 2018). The Anthology of the Thirty-Six Poets and the Problem of Collage in Modern Japan (Unpublished). In: East Asia Center Speaker Series. University of Virginia, Charlottesville.
Kersey, Kristopher William (2018). Dynamism, liquidity, and crystallization in the discourse of Japanese art history. In: Pfisterer, Ulrich; Tauber, Christine (eds.) Einfluss, Strömung, Quelle: Aquatische Metaphern der Kunstgeschichte. Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München: Vol. 47 (pp. 287-310). Bielefeld: Zentralinstitut für Kunstgeschichte und Transcript Verlag
Kersey, Kristopher W. (2018). In Defiance of Collage: Assembling Modernity ca. 1112 CE. Archives of Asian art, 68(1), pp. 1-32. Duke University Press 10.1215/00666637-4342384
