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Smalcerz, Joanna Beata (2011). Madonna Cieszynska i nagrobek Przemka I Noszaka jako przyklady parleryzmu o praskim rodowodzie w rzezbie na terenie Ksiestwa Cieszynskiego. Rerum Artis, 6, pp. 98-111. Uniwersytet Warszawski
Smalcerz, Joanna Beata (2017). A Lesson in Loopholes: Stefano Bardini, and the Export of the Botticelli Frescoes from Villa Lemmi. In: Dealing Art on Both Sides of the Atlantic, 1860-1940 (pp. 291-309). Leiden: Brill
Smalcerz, Joanna (2020). Smuggling the Renaissance: The Illicit Export of Artworks Out of Italy, 1861-1909. Studies in the History of Collecting & Art Markets: Vol. 8. Leiden, Boston: Brill
Smalcerz, Joanna (14 December 2020). The Anatomy of Wrongdoing: Socio-Psychological Dynamics of Unlawful Art Collecting (Unpublished). In: Collecting & Display Seminar. Institute of Historical Research, School of Advanced Study, University of London. 14.12.20.
Smalcerz, Joanna Beata (21 February 2020). ‘Nous tiendrons nos lecteurs au courant de cette intéressante affaire’: Les fresques de Botticelli pour la Villa Lemmi et leur chemin vers le Louvre (Unpublished). In: Conférence. Musée du Louvre. 21. Februar 2020.
Smalcerz, Joanna (28 May 2019). "Schweigen ist überhaupt die erste Devise meines Geschäftes." Über das Kunstschmuggeln und Museumsarchive, die nicht schweigen (Unpublished). In: Sonderanlässe: Vortrag. Kunstmuseum Bern. 28.05.2019.
Smalcerz, Joanna Beata (8 November 2018). Wilhelm von Bode and the Art Market, Welcome and Introduction (Unpublished). In: Wilhelm von Bode and the Art Market. Institut für Kunstgeschichte, Universität Bern. 8.-9.11.2018.
Smalcerz, Joanna Beata (June 2018). Who Has the Right to Art? The Italian Debate on Art Export Policy and the Lobby of the Association of Art Dealers (Unpublished). In: Un'abbazia tra due mondi.San Nicolo' a San Gemini e le alienazioni monumentali nella prima meta' del Novecento. San Gemini, Italy.
Smalcerz, Joanna Beata (14 October 2017). What Happens When a Raphael is Taken Away? (Unpublished). In: Collecting Raphael. Raffaello Sanzio da Urbino in the Collections and in the History of Collecting. Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte, American University of Rome. 13-14.10.2017.
Smalcerz, Joanna Beata (28 June 2017). A Lost Masterpiece is a Potent Thing: On the Social Agency of Artworks (Unpublished). In: Werkstattgespräch. Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte. 28.6.2017.
Smalcerz, Joanna Beata (19 January 2017). 'The Agony of Getting It Out of the Country': Emilio Costantini, Bernard Berenson and Exporting Artworks from Italy (Unpublished). In: Art Dealers, America, and the International Art Market, 1880-1930. Getty Research Institute, Los Angeles. 18-19.1.2018.
Smalcerz, Joanna Beata (14 September 2015). The Illicit Export of the Bust of the Princess of Urbino from Rome to Berlin: A Legal Perspective (Unpublished). In: Werkstattgespräch. Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte, Rom. 14. Sept. 2015.
Smalcerz, Joanna Beata (1 November 2014). Wilhelm von Bode and His Networks of Contacts in the Art Market for Old Masters Sculpture in Europe around 1900 (Unpublished). In: Burlington Conference: The Art Market Past and Present: Lessons for the Future?. The Burlington Magazine, Sotheby's Institute of Art, London, UK. 30. Okt. - 1. Nov. 2014.
Smalcerz, Joanna Beata (2017). Smuggling the Renaissance: The Illicit Export of Artworks Out of Italy, 1861-1909 (Unpublished). (Dissertation, Institut für Kunstgeschichte, Universität Bern, Philosophisch-historische Fakultät)
