Stähler, Axel

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Stähler, Axel (2023). Europe and the Roma - A History of Fascination and Fear. Klaus-Michael Bogdal. Times literary supplement(6275), p. 7.

Stähler, Axel (2023). A Play “for Our Times” and its “Explosive Setting”: The Genesis of Arnold Wesker’s Blood Libel. Theatre Notebook, 77(2), pp. 98-119. Society for Theatre Research

Stähler, Axel (2022). 'Our Dernburg' - 'The New Moses': The German Empire's Jewish Colonial Director (1906–1910): 'Our Dernburg' – 'The New Moses'. In: Vogt, Stefan (ed.) Colonialism and the Jews in German History: From the Middle Ages to the 20th Century (pp. 156-184). Bloomsbury Academic

Stähler, Axel (2022). Alternative Histories – Alternative Identities? Jewishness and the (Al)lure of “What if…?” (In Press). Journal of Jewish identities Johns Hopkins University Press

Stähler, Axel (2022). Zénó Vernyik (ed.): Arthur Koestler’s Fiction and the Genre of the Novel: Rubashov and Beyond (Lanham, MD: Lexington Books, 2021); pp. xxxix + 260; hardback $ 110.00. (In Press). Acta Universitatis Sapientiae Scientia Publishing House

Stähler, Axel (2021). Dramatic Responses to the Resurgence of Antisemitism: On Trial – the Blood Libel, Arnold Wesker and Steven Berkoff (In Press). In: Malkin, Jeanette R.; Voigts, Eckart; Ablett, Sarah Jane (eds.) A Companion to British-Jewish Theatre since the 1950s. Methuen Drama Engage (pp. 104-120). London: Methuen

Stähler, Axel (2021). Herzlian Matrix: Theme Parks, Promised Lands, and Simulacra. Symbolism : an international annual of critical aesthetics, 20, pp. 139-166. de Gruyter 10.1515/9783110716962-009

Stähler, Axel (2021). Et in Ashkenazia ego: Utopias of the Holocaust? Holocaust studies: a journal of culture and history, 28(2), pp. 143-162. Taylor & Francis 10.1080/17504902.2021.1910438

Stähler, Axel (2020). Between or Beyond? Jewish British Short Stories in English since the 1970s. Humanities, 9(3), pp. 1-18. MDPI 10.3390/h9030110

Stähler, Axel (2019). Jay Geller. Bestiarium Judaicum: Unnatural Histories of the Jews. Central European History, 52(2), pp. 357-359. Cambridge University Press 10.1017/S0008938919000219

Stähler, Axel (2019). Screaming ‘Black’ Murder: Crime Fiction and the Construction of Ethnic Identities. English Studies, 100(1), pp. 43-62. Taylor & Francis 10.1080/0013838X.2018.1543754

Stähler, Axel (2019). Efraim Sicher. The Jew’s Daughter: A Cultural History of a Conversion Narrative. Comparative literary studies, 56(1), pp. 222-225. Penn State University Press

Stähler, Axel (2018). Zionism, the German Empire, and Africa: Jewish Metamorphoses and the Colors of Difference. Berlin and Boston: de Gruyter 10.1515/9783110586039

Stähler, Axel (2018). Making Peace or Piecemeal? Arnold Wesker’s Screenplay and Wolfgang Storch’s TV Adaptation of Arthur Koestler’s Thieves in the Night. Jewish film & new media, 6(1), pp. 28-66. Wayne State University Press

Stähler, Axel (2017). ‘Historical Argument’ or ‘Cowboys and Indian’? Arnold Wesker’s TV Screenplay of Arthur Koestler’s Thieves in the Night. Jewish film & new media, 5(2), pp. 199-226. Wayne State University Press

Stähler, Axel (2017). Nadezda Rumjanceva. Roots in the Air: Construction of Identity in Anglophone Israeli Literature. Anglistik - International Journal of English Studies, 28(1), pp. 179-181. Winter

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