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Waterhouse, Elizabeth (2024). An Autoethnographic Spiral: Dancing "Showerhead" (In Press). Memesis
Hilari Choque, Johanna Kantuta; Rothenburger, Nadja; Waterhouse, Elizabeth Neumann; Wehren, Julia (2024). Auto_Bio_Graphical Urgencies. Vier tanzwissenschaftliche Perspektiven (In Press). In: Matters of Urgency. Berlin: Berlin Universities Publishing
Waterhouse, Elizabeth Neumann (5 July 2023). (Slow) Autoethnographies: "Processing Choreography" and "Our Autobodyographies" (Unpublished). In: Writing Theater. Qualitative methods, situated knowledge, and the making of performance. Ludwig-Maximilians Universität München, Germany. 5 Jul 2023.
Waterhouse, Elizabeth (2023). Ethnografische Ansätze. In: Theater und Tanz. Handbuch für Wissenschaft und Studium (pp. 243-250). Baden-Baden: Rombach Wissenschaft
Waterhouse, Elizabeth Neumann (19 November 2022). Yarning: Mnemotechnics for Oral History from an Indigenous Standpoint (Unpublished). In: Producing Dance Memories: Oral History and Mnemotechnics. Université Côte d’Azur – Nice. November 18-20, 2022.
Waterhouse, Elizabeth Neumann (29 September 2022). Auto_Bio_Graphie als Performance (Unpublished). In: Auto_Bio_Graphie als Performance. Berlin. 15. Kongress der Gesellschaft für Theaterwissenschaft.
Waterhouse, Elizabeth Neumann (9 September 2022). Autobodyography: Our Dancing Bodies (Unpublished). In: Auto_Bio_Graphie als Performance. University of Bern. September 8-9, 2022.
Waterhouse, Elizabeth (2022). Processing Choreography: Thinking with William Forsythe's "Duo". Critical Dance Studies: Vol. 60. Bielefeld: Transcript Verlag
Waterhouse, Elizabeth; Jenett, Florian; Hagar, Monika; Coniglio, Mark (2021). ‘I gave that cue.’ Integrating dance studies, praxeology, and computational perspectives to model change in the case study of William Forsythe’s Duo. International Journal of Performance Arts & Digital Media, 17(1), pp. 160-181. Taylor & Francis 10.1080/14794713.2021.1884803
Waterhouse, Elizabeth (February 2020). Supplements to Processing Choreography (Submitted).
Waterhouse, Elizabeth (2020). As "Duo": Thinking with Dance. In: A Practical Aesthetics (pp. 183-194). London: Bloomsbury
Waterhouse, Elizabeth (2018). In Sync: Entrainment in Dance. In: Bläsing, Bettina; Puttke, Martin; Schack, Thomas (eds.) The Neurocognition of Dance: Mind, Movement and Motor Skills (pp. 55-75). London: Routledge
Bläsing, Bettina; Waterhouse, Elizabeth Neumann (11 May 2018). Watching Motion Together: How Spectators Monitor Dancer's Interaction and synchronicity (Unpublished). In: 50. annual meeting of German sport psychology (asp). DSHS Köln. 10.05.2018-12.05.2018.
Waterhouse, Elizabeth Neumann (23 January 2018). The Creation of William Forsythe’s "Duo" (Unpublished). In: The Creation of William Forsythe’s "Duo". Institut für Theaterwissenschaft der Freie Universität Berlin, Colloquium of Prof. Dr. G. Brandstetter.
Waterhouse, Elizabeth Neumann (2017). Entrainment und das zeitgenössische Ballett von William Forsythe. In: Brandstetter, Gabriele; van Eikels, Kai; Schuh, Anne (eds.) De/synchronisieren? : Leben im Plural (pp. 197-222). Wehrhahn Verlag
Waterhouse, Elizabeth Neumann (25 October 2017). Dancing Together in William Forsythe’s "Duo" (Unpublished). In: Dancing Together Workshop. ITW, University of Bern. October 25-26, 2019.
Waterhouse, Elizabeth (15 September 2017). Choreographic Re-Mix: William Forsythe`s Trio (1996) & Beethoven`s String Quartet Nr. 15 in A-Minor Op. 132. In: 2017 Rund um Beethoven – Interpretationsforschung heute. Hochschule der Künste Bern. September 13-16, 2017. 10.26045/kp64-6178-030
