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Hyman, Aaron M. (2023). “‘The Uniformity of a Distinctive National Character:’ Loops, Knots, and Bernardo de Gálvez’s Calligraphic Equestrian Portrait.”. West 86th : a journal of decorative arts, design history, and material culture, 30(1), pp. 29-49. University of Chicago Press
Hyman, Aaron M.; Mundi, Barbara E. (2023). The Colonial Archive and its Fictions. Colonial Latin American review, 32(3), pp. 312-344. Routledge, Taylor & Francis Group 10.1080/10609164.2023.2246831
Hyman, Aaron M. (2023). The Matter of Merchant Paper (Unpublished). In: CURRENT RESEARCH. LEKTÜRESEMINAR AM ZI. 07.06.2023.
Hyman, Aaron M. (2022). Baroque Assumptions. 21: inquiries into art, history, and the visual : Beiträge zur Kunstgeschichte und visuellen Kultur, 3(3), pp. 565-626. arthistoricum.net 10.11588/xxi.2022.3.90234
Hyman, Aaron M. (2022). Crossing the Line: Cristóbal de Villalpando and the Surplus of Script. Art History, 45(2), pp. 308-341. John Wiley & Sons Ltd 10.1111/1467-8365.12637
