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Hyman, Aaron Michael (1 December 2022). Rubens’s Wastepaper and the Eloquence of Substrate (Unpublished). In: Öffentlicher Vortrag. Boston University, Boston. 1.12.2022.
Hyman, Aaron Michael (17 November 2022). Writing an Empire (Unpublished). In: Calligraphy Books in the Early Modern World. Newberry Library, Chicago. 17.11.2022.
Hyman, Aaron Michael (1 October 2022). The Loops and Knots of Bernardo de Gálvez’s Equestrian Portrait (Unpublished). In: Objects Talk: Transformations in Iberian American Art. Los Angeles County Museum of Art and University of California, Los Angeles. 30.09.-1.10.2022.
Hyman, Aaron M. (2022). Baroque Assumptions. 21: inquiries into art, history, and the visual : Beiträge zur Kunstgeschichte und visuellen Kultur, 3(3), pp. 565-626. arthistoricum.net 10.11588/xxi.2022.3.90234
Flood, Finbarr Barry (29 September 2022). Legalism, Iconoclasm, and Anti-Colonialism – Other Statue Histories (Unpublished). In: Rethinking Arab History, Society, and Culture - A Conference in Honor of Aziz Al-Azmeh. Central European University, Vienna. 29.09.2022.
Flood, Finbarr Barry (28 September 2022). Imbibing the Image, Touching the Text – Sensory Dimensions of Medieval Islam (Unpublished). In: Öffentlicher Vortrag, keynote. VI. Forum Kunst des Mittelalters, Frankfurt am Main. 28.09.2022.
Flood, Finbarr Barry (26 September 2022). From Solomon’s Library to the Louvre: Genealogies of an Islamic Magic-Medicinal Bowl (Unpublished). In: Öffentlicher Vortrag. Chester Beaty Library, Dublin. 26.09.2022.
Hyman, Aaron Michael (9 September 2022). Colonial Collecting (Unpublished) Washington, D.C: National Gallery of Art
Hyman, Aaron Michael; Katzew, Ilona (2022). Nicolás Enríquez, The Marriage of the Virgin, The Visitation and the Birth of Saint John the Baptist, and The Adoration of the Kings with Viceroy Pedro de Castro y Figueroa. Attributed to Juan Rodríguez Juárez, Miracles of San Salvador de Horta. In: Archive of the World: Art and Imagination in Spanish America, 1500–1800: Highlights from LACMA’s Collection. (pp. 248-256). Los Angeles: Delmonico Books/Los Angeles County Museum of Art
McCoy, Michelle (2 June 2022). Notes on the Tangut Nun in Mogao Cave 61 (Unpublished). In: Gender and Buddhist Art in Asia: Embodiment, Patronage and the Sacred. Harvard University (online). 2.-3.06.2022.
McCoy, Michelle (2022). Cave and Camera: Shades of Loss in the Library Cave of Dunhuang. In: Fricke, Beate; Kumler, Aden (eds.) Destroyed—Disappeared—Lost—Never Were (pp. 129-142). Penn State University Press 10.1515/9780271093758-012
Hyman, Aaron Michael (4 May 2022). Michael Snijders and the Copy’s Copiousness (Unpublished). In: Öffentlicher Vortrag. University of Cambridge, Cambridge, Grossbritannien. 4.05.2022.
Hyman, Aaron Michael (4 May 2022). Global Rubens: A Roundtable with Adam Sammut and Ana Howie (Unpublished) Cambridge, Grossbritannien: University of Cambridge
Hyman, Aaron Michael (27 April 2022). Form/Material – Transatlantic/Transpacific (Unpublished). In: Transpacific Engagements. Ayala Museum, Manila, The Philippines. 27.04.2022.
Hyman, Aaron M. (2022). Crossing the Line: Cristóbal de Villalpando and the Surplus of Script. Art History, 45(2), pp. 308-341. John Wiley & Sons Ltd 10.1111/1467-8365.12637
McCoy, Michelle (22 April 2022). Eclipse Spirits in Dunhuang Visual Culture (Unpublished). In: Connecting Dunhuang: Sites, Art, and Ideas along the Silk Road(s). Princeton University. 22.-23.04.2022.
Hyman, Aaron Michael (2 April 2022). Quills Without Ink, or the Potency of Letterforms in New Spanish Featherwork (Unpublished). In: Renaissance Society of America. Dublin, Ireland. 30.03.-02.04.2022.
Flood, Finbarr Barry (16 March 2022). Beyond the “Bilderverbot” – From Tactile Piety to Floral Figures in the Arts of Islam (Unpublished). In: Abendvortrag begleitend zur Ausstellung "Im Namen des Bildes" Das Bild zwischen Kult und Verbot in Islam und Christentum". Museum Rietberg, Zürich. 16.03.2022.
Hyman, Aaron Michael (27 January 2022). Crossing the Line: Cristóbal de Villalpando and the Surplus of Script (Unpublished). In: Öffentlicher Vortrag. California State University, Fresno. 27.01.2022.
Fricke, Beate (12 January 2022). Seide in Stein. Ein Bauwerk als Medium von Arbeit, Handwerks und Kunst (Unpublished). In: Öffentlicher Abendvortrag. Kunstgeschichtliches Institut, Marburg (online).
Fricke, Beate (2022). Speaking Bones and Narrative Pictures. Aniconism Versus Visual Narratives on Small Tabernacles in Late-Medieval Christian Art. In: Langer, Axel (ed.) Im Namen des Bildes. Die figürliche Darstellung in den islamischen & christlichen Kulturen (pp. 371-384). Berlin/Stuttgart: Hatje Cantz
Flood, Finbarr Barry (2022). Islam and Image: Paradoxical Histories. In: In the Name of the Image: Figurative Representation in Islamic and Christian Cultures (pp. 301-318). Hatje Cantz
Flood, Finbarr Barry (2022). Reuse and Recycling in the Islamic Lands. In: Recycling Beauty. Fondazione Prada
Flood, Finbarr Barry (2022). "Globalism". October, 180(Spring), pp. 29-33. MIT Press
Flood, Finbarr Barry (2022). Entry "Sandale". In: Les Choses. Paris: Liénart / Musée du Louvre Éditions
Fricke, Beate (2021). Horizont und Panorama. Darstellungsmodi und Bildraum im 15. Jahrhundert am Beispiel der Scherzliger Passionswand. In: Heyden, Katharina; Lissek, Maria (eds.) Jerusalem am Thunersee. Das Scherzliger Passionspanorama neu gedeutet. Theologisch bedeutsame Orte der Schweiz (pp. 75-108). Basel: Schwabe Verlag
Fricke, Beate (22 April 2020). Miracles of Mediation (Unpublished). In: Silsila: Center for Material Histories. NYU New York. 22. April 2020.
Fricke, Beate (27 March 2020). “Creation, Color, and Creativity in the Holkham Bible” (Unpublished). In: Department History of Art, Architecture + Landscapes, University of Groningen. Groningen. 27. März 2020.
Fricke, Beate (19 March 2020). Flotsam (Unpublished). In: Material Culture in Transit. Bern. 19.-20. März 2020.
Fricke, Beate (19 March 2020). Creation and Creativity in the Holkham Bible (Unpublished). In: The Courtauld Institute, London. Bern. 19. März 2020.
Fricke, Beate (2020). Hinges as Hints: Heaven and Earth in the Coconut Goblet at the Cathedral of Münster, Part of a Lost Rock Crystal Ensemble. In: Hahn, Cynthia; Shalem, Avinoam (eds.) Seeking Transparency. Rock Crystals Across the Medieval Mediterranean. Berlin: Gebr. Mann
Fricke, Beate; Mühlemann, Corinne (27 January 2020). "Niello and Lampas – Two Examples of how Craft Knowledge was transferred between Baghdad, al-Andalus and Northern Europe during 12th Century" (Unpublished). In: Dialogues in the Late Medieval Mediterranean: Methodological Encounters and (Dis)Encounters. Madrid. 27. Januar 2020.
Lenk, Stefanie (2020). Ferdinand Piper’s Monumentale Theologie (1867) and Schleiermacher’s Legacy: The Attempted Foundation of a Protestant Theology of Art. In: Elsner, Jaś (ed.) Empires of Faith in Late Antiquity. Histories of Art and Religion from India to Ireland (pp. 161-186). Cambridge: Cambridge University Press 10.1017/9781108564465.008
Quené, Saskia Christin (2020). Between figure and ground. An introduction (Unpublished). In: Zwischen Figur und Grund. Sehen in der Vormoderne.
Mühlemann, Corinne (12 December 2019). Von al-Andalus nach St. Gallen – Die elf Siegelhüllen eines Ablassbriefes von 1333 (Unpublished). In: Vortragsreihe zur Jahresausstellung Otmar und Beata. Der erste Abt und die Welt des Stiftsarchivs St. Gallen,. St. Gallen.
Fricke, Beate (10 December 2019). Im Gespräch mit Hartmut Dorgerloh - Provenienzen und Präsentationen – Das neue Humboldt Forum im Berliner Schloss (Unpublished). In: Provenienzen und Präsentationen. Kunstmuseum Bern. 10.12.2019.
Kersey, Kristopher (8 December 2019). The Early Modern Fold: Pleated Media in Japan’s Encounter with Europe (Unpublished). In: The Many Shapes of Meaning: Object and Performance in Asia. Japan. 07.-08.12.2019.
Fricke, Beate (2019). At the Threshold of Painting. The Man of Sorrows by Albrecht Dürer. In: Bokody, Peter; Nagel, Alexander (eds.) Renaissance Meta-Painting. Studies in Medieval and Early Renaissance Art History (pp. 209-238). Turnhout: Brepols
Holler, Theresa (20 November 2019). Informationsverarbeitung und Umkodierung medizinischen Wissens bei Petrarca (Unpublished). In: Informationsverarbeitung in der Stadt des 12. bis 16. Jahrhunderts. Interdisziplinärer Methodenworkshop. Rom, Deutsches Historisches Institut und Bibliotheca Hertziana.
Fricke, Beate (24 October 2019). Object Histories. Early Modern Flotsam (Unpublished). In: Transforming the Past: the concept of object biographies. Universität Bern. 24 Oktober 2019.
Lenk, Stefanie (24 October 2019). A relief of the 5th century B.C. and its Christian re-use. A Crusader spolia in Bari? (Unpublished). In: Workshop Transforming the Past: The concept of object biographies. Universität Bern.
Quené, Saskia Christin (17 October 2019). Exhibiting lux et lumen. Towards new strategies for displaying medieval gold leaf (Unpublished). In: Workshop at the Université Paris 1. Panthéon-Sorbonne, Paris.
Mühlemann, Corinne (19 September 2019). Von al-Andalus nach St. Gallen – Die elf Siegelhüllen eines Ablassbriefes von 1333 im Stiftsarchiv St. Gallen (Unpublished). In: 4. Forum Kunst des Mittelalters: 360° – Verortung, Entgrenzung, Globalisierung. Universität Bern.
Quené, Saskia Christin (19 September 2019). Aura and Aurum. On form and material in the writings of Pavel Florensky and Walter Benjamin (Unpublished). In: 4. Forum Kunst des Mittelalters: 360° – Verortung, Entgrenzung, Globalisierung. Universität Bern.
Lenk, Stefanie (30 August 2019). Widening Protestant Horizons: From Christian to global art collections in German theological faculties of the 19th and 20th centuries (Unpublished). In: Colloquium Rauricum: Horizons: A Line and its Movement in Art, History, and Literature. Landgut Castelen, Augst.
Fricke, Beate (7 June 2019). Syrian Censers Opening Horizons (Unpublished). In: Censer - A comparative Approach. Universität Bern. 7-8. Juni 2019.
Kersey, Kristopher William (June 2019). The Japanese Folding Fan in the Hands of Modernity (Unpublished). In: San Diego Museum of Art.
Holler, Theresa (24 May 2019). Drawing Plants and Weaving Flowers: The Bern Mille-fleur Tapestry as Herbaria (Unpublished). In: Workshop Drawing and Weaving: Lines, Indexicality, and Transferring Knowledge in the Premodern World. Universität Bern.
MacMurdie, Meekyung Ruth (23 May 2019). Gridding the Sky: From point to line to form in The Book of Constellations (Unpublished). In: Workshop Drawing and Weaving: Lines, Indexicality, and Transferring Knowledge in the Premodern World. Universität Bern.
MacMurdie, Meekyung Ruth (18 May 2019). Making Style History: Pattern Books and the Materiality of Comparative Aesthetics (with Jesse Lockard) (Unpublished). In: 9th Bern Research Camp on the Applied Arts. Universität Bern.
Holler, Theresa (10 May 2019). Petrarch and Botany: A Discourse on Healing (Unpublished). In: 53rd International Congress on Medieval Studies. Medieval Institute, Western Michigan University.
Fricke, Beate (2019). Artifex and Opifex – The Medieval Artist. In: Rudolph, Conrad (ed.) A Companion to Medieval Art: Romanesque and Gothic in Northern Europe. Blackwell companions to art history (pp. 45-70). Hoboken: Wiley-Blackwell
Kersey, Kristopher William (May 2019). The Early Modern Fold: Pleated Fans in Japan’s Encounter with Europe (Unpublished). In: Making Worlds: Art, Materiality, and Early Modern Globalization III.
Kersey, Kristopher William (May 2019). Imaging the Mind in Medieval Japanese Buddhism: Ajikan and its Artifacts (Unpublished). In: 28th Annual Patricia McCarron McGinn Lecture. University of California, Los Angeles.
MacMurdie, Meekyung Ruth (13 April 2019). New Combinations: forming knowledge in The Book of Theriac (Unpublished). In: Image, Ornament, Matter: A Symposium on their Limits and Intersections in the History of Art. University of Florida, Gainesville.
Kersey, Kristopher William (February 2019). Facing Death in Global Modernity, 1600–1900 (Unpublished). In: 107th Annual Meeting of the College Art Association. New York.
Kersey, Kristopher William (January 2019). Reconsidering the Eyeless Sūtra (Menashikyō): Temporality, Dissonance, Method, and Ritual (Unpublished). In: The International Master’s Program and International Doctorate in Japanese Humanities Distinguished Lecture Series. Kyūshū University, Fukuoka, Japan.
Fricke, Beate; Holler, Theresa (2019). Rosenrot. Die Bildwelt von Flora, Fauna und Fons vitae im Godesscalc-Evangelistar als Heilsraum. In: Embach, Michael; Moulin, Claudine; Wolter-von dem Knesebeck, Harald (eds.) Die Handschriften der Hofschule Kaiser Karls des Großen – individuelle Gestalt und europäisches Kulturerbe (pp. 97-128). Trier: Verlag für Geschichte und Kultur
Bailey, Jess Genevieve (17 December 2018). Engendering war: drawing military conflict in the late middle ages (Unpublished). In: Graduate Colloquium, Prof. Dr. David Ganz. Institute für Kunstgeschichte, Universität Zürich.
Quené, Saskia Christin (2 November 2018). Form follows material? Äquivokationen aus Gold und Licht bei Joe Ramirez (Unpublished). In: Kunst und Material: Repräsentation, Stofflichkeit, Prozesse. SIK-ISEA Zürich.
Bailey, Jess Genevieve (6 October 2018). Disability and Gendered Violence: bodies along the borders of armed conflict (Unpublished). In: Permeable Bodies in Medieval and Early Modern Visual Culture. University College London.
Sears, Andrew Russel (October 2018). Weaving, Spinning, Sewing: Dressing Relics at Herkenrode Abbey (Unpublished). In: University of Cambridge.
Quené, Saskia Christin (27 September 2018). Zwischen Geheimnis und Verrat: Die Pigmente des Judas Iskariot (Unpublished). In: Berner Mittelalter Zentrum. Universität Bern.
Bailey, Jess Genevieve (4 June 2018). Precarious Lines: violence, desire, and bodily difference in the long 15th century (Unpublished). In: Swiss Doctoral Summer School for Art History. Institut für Kunstgeschichte, Universität Zürich.
Fricke, Beate (8 May 2018). Miracles of Mediation (Unpublished). In: Abendvortrag Institut für Kunstgeschichte Florenz (MPI). Florenz. 8.5.2018.
Kersey, Kristopher William (May 2018). Faces in Japanese Art (Unpublished). In: Public lecture by invitation of the Embassy of Japan. Japan Information & Culture Center, Washington, DC.
Quené, Saskia Christin (15 March 2018). Zur Transformation des Goldgrundes: Licht und Gold in zwei Marienkrönungen des Fra Angelico (Unpublished). In: Forum Kunstgeschichte Italiens. Freiburg.
Sears, Andrew Russel (March 2018). Embroidered Heads': St. Ursula's Skulls and the Cologne Textile Trade, 1500 (Unpublished). In: Renaissance Society of America. New Orleans.
Kersey, Kristopher William (February 2018). The Anthology of the Thirty-Six Poets and the Problem of Collage in Modern Japan (Unpublished). In: East Asia Center Speaker Series. University of Virginia, Charlottesville.
Quené, Saskia Christin (9 January 2018). Von Gold getragen? Humus und Figura in den Madonnen dell’Umiltà des Fra Angelico (Unpublished). In: Workshop Kolleg-Forschergruppe BildEvidenz. Freie Universität Berlin.
Kersey, Kristopher William (2018). Dynamism, liquidity, and crystallization in the discourse of Japanese art history. In: Pfisterer, Ulrich; Tauber, Christine (eds.) Einfluss, Strömung, Quelle: Aquatische Metaphern der Kunstgeschichte. Veröffentlichungen des Zentralinstituts für Kunstgeschichte in München: Vol. 47 (pp. 287-310). Bielefeld: Zentralinstitut für Kunstgeschichte und Transcript Verlag
Kersey, Kristopher W. (2018). In Defiance of Collage: Assembling Modernity ca. 1112 CE. Archives of Asian art, 68(1), pp. 1-32. Duke University Press 10.1215/00666637-4342384
Holler, Theresa (2018). Infernale Landschaften: Wie Dantes Commedia das Bild des Weltgerichts in Italien verändert. Deutsches Dante-Jahrbuch, 93(1), pp. 74-103. De Gruyter 10.1515/dante-2018-0005
Fricke, Beate (2016). Früchte des Sehens. In: Elm, Susanna; Vinken, Barbara (eds.) Braut Christi. Familienformen in Europa im Spiegel der 'sponsa' (pp. 75-100). Paderborn: Fink-Verlag
