A sign of mobility and cultural exchange? The ceramics with scribble line ornamentation from Lysa Hora cemetery

Andriiovych, Marta (2018). A sign of mobility and cultural exchange? The ceramics with scribble line ornamentation from Lysa Hora cemetery. Vita Antiqua, 10, pp. 43-47. Center of paleoethnological researches, Taras Shevchenko Nationional University of Kyiv

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the fourth type after D.Y. Telegin typology has been found in the Lysa Gora cemetery. This type is represented by biconical vessels with the flat bottom and straight «collar» rim. Inside of this type, we are able to identify subtypes by their size, type and ornament disposition on the body of a vessel.
The vessels with the flat bottom, straight vertical walls and cut to the middle rim are most common. In the second period biconical vessels with the big flat “collar” rim became more popular. The plot of the composition and ornaments that decorated the body of the vessel in the first and second period also was changed.
The ornament in the first period is the imprints of the comb punches forming the horizontal rows, the fir-tree, the zigzag, the ribbons, limited by the scratched lines, the comb marks. The ornament in the first period is the imprints of the comb punches forming the horizontal rows, the fir-tree, the zigzag, the ribbons, limited by the scratched lines, the comb marks. In the second period – the ornament of the triangular stroked decoration and the shaded horizontal lines, which form plots: geometric compositions, fir trees, nets, extends. A linear
ornament consists of cut, screwed or flattened lines. Often, it is a straight line, in some cases there are curvilinear compositions, sometimes wavy ornament. In different periods of culture, there are certain differences in the motifs of patterns, the ways of their placement, the degree of coverage of the ornament of the surface of vessels. In the first period of culture, the pattern on vessels did not adhere to a clear horizontal zonation. Pots of the second period are ornamented from the rim to bottom. Sometimes the pattern enters the inside of the neck and rim of the vessel, as well as the bottom. The style of geometric rectilinear ornament prevails, which most often includes horizontal rows and stripes. Rows consist of impressions of the comb, the triangular short stroked decoration. Impressions of the comb, the triangular short stroked decoration in individual rows have a slope to the right or to the left, resulting in a pattern having a kind of fir tree. Less often, the ornamental field consisted of several horizontal stripes, separated by the triangular stroked decoration of the necks or flattened lines. The entire strip is covered with lines from the stroked decoration or impressions of the comb. Sometimes the entire strip filled with “broken” rows, which in general creates a motive of short vertical columns. However,
curvilinear pattern of ornament did not common for this period. The feature of ceramics is its ornamented bottom. Patterns consist of concentric circles, elongated-oval circles, radial lines. At the end of the second – at the beginning of the third period of the Dnieper-Donetsk culture region a tendency is to create a pattern with a predominance of vertical or oblique columns and stripes, more often there is a pattern of ornament in the form of individual figures (triangles, lozenges, which sparsely cover the surface of the vessel).
The development and change of the disposition of ornament on ceramics is one of the keys to understand socio-cultural connections on the territory of the Dnieper-Donetsk cultural region.

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