Vionnet, Claire (2023). De l’incident de terrain à l’écriture de l’évocation. Ateliers d'anthropologie, Varia, online-online.
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Moving towards a collaborative epistemology between art and anthropology, this paper reflects upon a writing style that attempts to reduce the epistemic violence of ethnographic encounters. A brief history of the benefits of the crisis of representation (Writing Culture) is followed by hints on concepts of autoethnography, sensorial anthropology, and anthropology through the body. Drawing on a fieldwork on contemporary dance, the anthropologist highlights how a phenomenological description of dance can expand choreographers’ questions that might be raised within the dance studio. Textual strategies are presented to support a more ethical and collaborative writing: a symmetrical dialogue with dance studies; the negotiation of generative terms; a writing based on the notion of evocation rather than representation; and finally, a sensorial, phenomenological and autoethnographic writing.
Item Type: |
Journal Article (Original Article) |
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Division/Institute: |
06 Faculty of Humanities > Other Institutions > Walter Benjamin Kolleg (WBKolleg) > Interdisciplinary Research and Graduate Network (IRN) |
UniBE Contributor: |
Vionnet, Claire |
Subjects: |
300 Social sciences, sociology & anthropology |
ISSN: |
2117-3869 |
Funders: |
Organisations 0 not found. |
Projects: |
Projects 0 not found. |
Language: |
French |
Submitter: |
Claire Vionnet |
Date Deposited: |
29 Nov 2022 15:01 |
Last Modified: |
17 Jun 2023 07:15 |
Uncontrolled Keywords: |
Autoethnographie – Danse Contemporaine – Écriture sensorielle et évocatrice – Restitution ethnographique – Writing Culture |
BORIS DOI: |
10.48350/175221 |
URI: |
https://boris.unibe.ch/id/eprint/175221 |