De l’incident de terrain à l’écriture de l’évocation

Vionnet, Claire (2023). De l’incident de terrain à l’écriture de l’évocation. Ateliers d'anthropologie, Varia, online-online.

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Moving towards a collaborative epistemology between art and anthropology, this paper reflects upon a writing style that attempts to reduce the epistemic violence of ethnographic encounters. A brief history of the benefits of the crisis of representation (Writing Culture) is followed by hints on concepts of autoethnography, sensorial anthropology, and anthropology through the body. Drawing on a fieldwork on contemporary dance, the anthropologist highlights how a phenomenological description of dance can expand choreographers’ questions that might be raised within the dance studio. Textual strategies are presented to support a more ethical and collaborative writing: a symmetrical dialogue with dance studies; the negotiation of generative terms; a writing based on the notion of evocation rather than representation; and finally, a sensorial, phenomenological and autoethnographic writing.

Item Type:

Journal Article (Original Article)

Division/Institute:

06 Faculty of Humanities > Other Institutions > Walter Benjamin Kolleg (WBKolleg) > Interdisciplinary Research and Graduate Network (IRN)

UniBE Contributor:

Vionnet, Claire

Subjects:

300 Social sciences, sociology & anthropology

ISSN:

2117-3869

Funders:

Organisations 0 not found.

Projects:

Projects 0 not found.

Language:

French

Submitter:

Claire Vionnet

Date Deposited:

29 Nov 2022 15:01

Last Modified:

17 Jun 2023 07:15

Uncontrolled Keywords:

Autoethnographie – Danse Contemporaine – Écriture sensorielle et évocatrice – Restitution ethnographique – Writing Culture

BORIS DOI:

10.48350/175221

URI:

https://boris.unibe.ch/id/eprint/175221

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