Fernández, Natalia (2013). Presencia y latencia del diablo en tres comedias de Agustín Moreto. eHumanista, 23, pp. 115-142. University of California
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In this paper, we analyze the dramatic configuration of the devil in three plays by Agustín Moreto, Los siete durmientes (1651) El más ilustre francés, San Bernardo (1657) y El azote de su patria (1669). The main prospect is not only the study of the stage power of a character with such a wide range of theatrical and artistic possibilities, but also his structural role in the conflict and his decisive influence on the action even when he is not actually present.
Item Type: |
Journal Article (Original Article) |
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Division/Institute: |
06 Faculty of Humanities > Department of Linguistics and Literary Studies > Institute of Spanish Languages and Literature 06 Faculty of Humanities > Department of Linguistics and Literary Studies > Institute of Spanish Languages and Literature > Literary Studies |
UniBE Contributor: |
Fernández Rodríguez, Natalia |
Subjects: |
800 Literature, rhetoric & criticism > 860 Spanish & Portuguese literatures 400 Language > 460 Spanish & Portuguese languages |
ISSN: |
1540-5877 |
Publisher: |
University of California |
Language: |
Español |
Submitter: |
Natalia Fernández Rodríguez |
Date Deposited: |
14 Apr 2014 16:25 |
Last Modified: |
05 Dec 2022 14:31 |
Uncontrolled Keywords: |
Moreto, devil, cosmic irony, comedia de santos, magic |
BORIS DOI: |
10.7892/boris.47244 |
URI: |
https://boris.unibe.ch/id/eprint/47244 |
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