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Göttler, Christine (2017). The Art of Solitude: Environments of Prayer at the Bavarian Court. Art History, Special Issue (Art and Religious Reform in Early Modern Europe), 40(2), pp. 405-429.
Siebenhüner, Kim; Göttler, Christine; Moran, Sarah (2017). Jewelry in the Ximenez-Da Vega Inventory. Reading the Inventory: The Possessions of the Portuguese Merchant-BankerEmmanuel Ximenez (1564-1632) in Antwerp
Göttler, Christine (2016). Kunst der Diäthetik – Diäthetik der Kunst. UniPress - Forschung und Wissenschaft an der Universität Bern, 167, pp. 24-26. Abteilung Kommunikation, Universität Bern
Göttler, Christine (2018). Extraordinary Things: 'Idols from India' and the Visual Discernment of Space and Time, circa 1600. In: Göttler, Christine; Mochizuki, Mia M. (eds.) The Nomadic Object: The Challenge of World for Early Modern Religious Art. Intersections: Vol. 53 (pp. 37-73). Brill
Göttler, Christine (2018). Imagination in the Chamber of Sleep: On a Pen-and-Ink-Drawing by Karel van Mander. In: Lüthy, Christoph; Swan, Claudia; Bakker, Paul J.J.M.; Zittel, Claus (eds.) Image, Imagination and Cognition. Intersections: Vol. 55 (pp. 147-176). Leiden: Brill 10.1163/9789004365742_008
Göttler, Christine (2018). Showing by Hiding: Hendrick Goltzius's Allegory of the (Alchemical) Arts in the Kunstmuseum Basel (In Press). In: Congress Proceedings; 34th Congress of the International Committee of the History of Art. CIHA
Göttler, Christine (2018). 'Sacred Woods': Performing Solitude at the Court of Duke Wilhelm V of Bavaria. In: Göttler, Christine; Enenkel, Karl A. E. (eds.) Solitudo: Spaces, Places, and Times of Solitude in Late Medieval and Early Modern Cultures. Intersections: Vol. 56 (pp. 140-176). Leiden, Boston: Brill
Göttler, Christine (2018). Realms of Solitude in Late Medieval and Early Modern European Cultures: An Introduction. In: Enenkel, Karl A. E.; Göttler, Christine (eds.) Solitudo: Spaces, Places, and Times of Solitude in Late Medieval and Early Modern Cultures. Intersections: Vol. 56 (pp. 1-28). Leiden: Brill 10.1163/9789004367432_002
Göttler, Christine (2017). Vulcan’s Forge: The Sphere of Art in Early Modern Antwerp. In: Göttler, Chrstine; Dupré, Sven (eds.) Knowledge and Discernment in the Early Modern Arts (pp. 52-87). New York: Routledge
Göttler, Christine; Dupré, Sven (2017). Introduction: Hidden Artifices. In: Göttler, Christine; Dupré, Sven (eds.) Knowledge and Discernment in the Early Modern Arts (pp. 1-16). New York: Routledge
Göttler, Christine; Burghartz, Susanna; Burkart, Lucas (2016). Introduction: Sites of Mediation in Early Modern Europe and Beyond: A Working Perspective. In: Göttler, Christine; Burghartz, Susanna; Burkart, Lucas (eds.) Sites of Mediation: Connected Histories of Objects, Processes, and Interactions in Europe and Beyond, 1450–1650. Intersections: Vol. 47 (pp. 1-20). Leiden/Boston: Brill
Göttler, Christine; Meganck, Tine (2016). Sites of Art, Nature and the Antique in the Spanish Netherlands. In: Dupré, Sven; De Munck, Bert; Thomas, Werner; Vanpaemel, Geert (eds.) Embattled Territory: The Circulation of Knowledge in the Spanish Netherlands (pp. 333-369). Ghent: Academia Press
Göttler, Christine (2016). Indian daggers with idols’ in the early modern constcamer: Collecting, picturing, and narrating things in the Netherlands and beyond. In: Weststeijn, Thijs (ed.) Netherlandish Art in its Global Context. Netherlands Yearbook for History of Art: Vol. 66 (pp. 80-109). Leiden: Brill
Göttler, Christine (2014). Druon Antigoon, der unzerstörbare Koloss: Städtischer Raum, antiquarische Kultur und Künstlerwissen im Antwerpen des 16. Jahrhunderts. In: Nova, Alessandro; Hanke, Stephanie (eds.) Skulptur und Platz. Raumbesetzung, Raumüberwindung, Interaktion. I Mandorli: Vol. 20 (pp. 141-172). Berlin, München: Deutscher Kunstverlag
Göttler, Christine; Ramakers, Bart; Woodall, Joanna (2014). Trading Values in Early Modern Anterp: An Introduction. In: Ramakers, Bart; Woodall, Joanna; Göttler, Christine (eds.) Trading Values in Early Modern Antwerp. Netherlands Yearbook for History of Art: Vol. 64 (pp. 8-37). Leiden: Brill
Göttler, Christine (2014). Wit in Painting, Color in Words: Gillis Mostaert’s Depictions of Fires. In: Ramakers, Bart; Woodall, Joanna; Göttler, Christine (eds.) Trading Values in Early Modern Antwerp. Netherlands Yearbook for History of Art: Vol. 64 (pp. 214-237). Leiden: Brill
Göttler, Christine (2014). Imitation as Animation: The Multiple Lives of a ‘Vesperbildt’ attributed to Quinten Massys. In: van Eck, Caroline; van Gastel, Joris; van Kessel, Elsje (eds.) The Secret Lives of Artworks (pp. 152-175). Leiden: Leiden University Press
Göttler, Christine (2014). Allegorien des Feuers und der Künste. In: Dupré, Sven; von Kerssenbrock-Krosigk, Dedo; Wismer, Beat (eds.) Kunst und Alchemie: Das Geheimnis der Verwandlung (pp. 132-145). München: Hirmer
Göttler, Christine (2013). The Place of the 'Exotic' in Early Seventeenth-Century Antwerp. In: Schrader, Stephanie (ed.) Looking East: Rubens's Encounter with Asia, exh. cat., The J. Paul Getty Museum, Los Angeles (pp. 88-107). Los Angeles: J. Paul Getty Museum
Göttler, Christine (2013). The Alchemist, the Painter, and the 'Indian Bird': Joining Arts and Cultures in Seventeenth-Century Antwerp. Adriaen van Utrecht's 'Allegory of Fire' in the Royal Museums of Fine Arts in Brussels. In: Hoffmann, Annette; de Giorgi, Manuela; Suthor, Nicola (eds.) Synergies in Visual Culture / Bildkulturen im Dialog. Festschrift für Gerhard Wolf (pp. 499-512). München: Wilhelm Fink
Göttler, Christine; de Boer, Wietse (2012). Introduction: The Sacred and the Senses in an Age of Reform. In: de Boer, Wietse; Göttler, Christine (eds.) Religion and the Senses in Early Modern Europe. Intersections: Vol. 26 (pp. 1-13). Leiden: Brill
Göttler, Christine (2012). The Temptation of the Senses at the Sacro Monte di Varallo. In: de Boer, Wietse; Göttler, Christine (eds.) Religion and the Senses in Early Modern Europe. Intersections: Vol. 26 (pp. 393-451). Leiden: Brill
Göttler, Christine (2012). Bootsicheyt: Malerei, Mythologie und Alchemie im Antwerpen des frühen 17. Jahrhunderts: Zu Rubens’ Silen in der Gemäldegalerie der Akademie der Bildenden Künste in Wien. In: Von Rosen, Valeska (ed.) Erosionen der Rhetorik? Strategien der Ambiguität in den Künsten der Frühen Neuzeit. Culturae: Vol. 4 (pp. 259-301). Wiesbaden: Harrassowitz
Göttler, Christine; Schaffer, Anette (2010). Die Kunst der Sünde: Die Wüste, der Teufel, der Maler, die Frau, die Imagination. In: Lust und Laster: Die sieben Todsünden von Dürer bis Nauman (pp. 42-61). Ostfildern-Ruit: Hatje Cantz
Göttler, Christine; Schneemann, Peter Johannes; Borkopp-Restle, Birgitt; Gramaccini, Norberto; Marx, Peter W.; Nicolai, Bernd (eds.) (2019). Reading Room. Re-Lektüren des Innenraums. Berlin: De Gruyter 10.1515/9783110592467
Göttler, Christine; Enenkel, Karl A. E. (eds.) (2018). Solitudo: Spaces, Places, and Times of Solitude in Late Medieval and Early Modern Cultures. Intersections : Interdisciplinary Studies in Early Modern Culture: Vol. 56. Boston: Brill
Göttler, Christine; Mochizuki, Mia M. (eds.) (2017). The Nomadic Object: The Challenge of World for Early Modern Religious Art. Intersections: Vol. 53. Brill
Göttler, Christine; Burghartz, Susanna; Burkart, Lucas (eds.) (2016). Sites of Mediation: Connected Histories of Objects, Processes, and Interactions in Europe and Beyond, 1450–1650. Intersections: Vol. 47. Leiden, Boston: Brill
Göttler, Christine; Dupré, Sven (eds.) (2016). Knowledge and Discernment in the Early Modern Arts. New York: Routledge
Göttler, Christine; Ramakers, Bart; Woodall, Joanna (eds.) (2014). Trading Values in Early Modern Antwerp. Netherlands Yearbook for History of Art: Vol. 64. Leiden: Brill
de Boer, Wietse; Göttler, Christine (eds.) (2013). Religion and the Senses in Early Modern Europe. Intersections: Vol. 26. Leiden: Brill 10.1163/9789004236653
Göttler, Christine (2010). Last Things: Art and the Religious Imagination in the Age of Reform. Proteus: Studies in Identity Formation in Early Modern Image-Text-Ritual-Habitat: Vol. 2. Turnhout: Brepols
Göttler, Christine (November 2017). Imagination and Image Making in Van Mander's Cave of Sleep (Unpublished). In: Early Modern Vision: The Imagination and the Religious Image. 6.11.2017.
Göttler, Christine (June 2017). Goldmachen / Bildermachen: Magie und Alchemie bei Martin Delrio (1551-1608) und Hendrick Goltzius (1558-1617) (Unpublished). In: Magische(s) Gestalten und die Lenkung der Dinge. Universität Stuttgart. 30.6.2017.
Göttler, Christine (May 2017). Waste Lands at the Court of Wilhelm V of Bavaria: The Poetry, Ecology, and Spirtuality of Wilderness, circa 1600 (Unpublished). In: Imaginaries of the Desert in the Arts. Universität Bern. 13.5.2017.
Göttler, Christine (18 February 2017). Fertile Waters: Salt and Saltcellars in Early Seventeenth-Century Antwerp (Unpublished). In: College Art Association. 105th Annual Conference. New York. 15.–18.02.2017.
Göttler, Christine (2017). Introduction to Unruly Landscapes: Producing, Picturing, and Embodying Nature in Early Modernity (Unpublished). In: Unruly Landscapes: Producing, Picturing, and Embodying Nature in Early Modernity. Universität Bern. 14.–15. Dezember 2017.
Göttler, Christine (November 2016). Epistemic and Enigmatic Imagery in the Work of Hendrick Goltzius (Unpublished). In: Epistemic Images in Early Modern Germany and its Neighbours. Cambridge. 10.-11. Nov. 2016.
Göttler, Christine (November 2016). Mount Potosí in Antwerp: The Imagery of Labor and Wealth in Rubens’s Arch of the Mint (1635) (Unpublished). In: The Materialities of Knowledge in Early Modern Cities. Antwerpen. 18.–19.11.2016.
Göttler, Christine (2 March 2016). Kunst der Diätetik / Diätetik der Kunst um 1600 (Unpublished). In: Vortragsreihe des Collegium generale: In aller Munde: Essen und Ernährung. Universität Bern. 02.03.2016.
Göttler, Christine (18 January 2016). The Idols of Antwerp, circa 1620: Entangled Histories in the Early Modern European Collection (Unpublished). In: The Nomadic Object: Early Modern Religious Art in Global Contact. NYU Abu Dhabi. 18.-20.01.2016.
Göttler, Christine (2016). Antwerp and the Emperor’s Indies: Rubens’s Arch of the Mint for Cardinal-Infante Ferdinand (1635) (Unpublished). In: The Renaissance Society of America, The Sixty-second Annual Meeting. Boston. 31.3–2.4.2016.
Göttler, Christine (2016). Artists in Groups: Articulating Collective Identities in Seventeenth-Century Haarlem (Unpublished). In: CIHA. 34th World Congress of Art History. Peking. 16.–20.09.2016.
Göttler, Christine; Dupré, Sven (2016). Reading the Inventory: The Possessions of the Portuguese Merchant-Banker Emmanuel Ximenez (1564-1632) in Antwerp (Unpublished). In: Epistemologías transculturales. La producción de conocimientos en zonas de contacto en América Latina. Berlin. 01.-02.12.2016.
Göttler, Christine (15 December 2015). A Javanese Dagger in a constcamer painting by Frans Francken the Younger: Collecting Idols and Weapons in the Seventeenth Century Netherlands (Unpublished). In: Catalysts of Knowledge: Early Modern Cultures of Collecting. Workshop, organisiert von Sven Dupré, Koenraad Jonckheere und Marlise Rijks. Universität Ghent. 15.12.2015.
Göttler, Christine (9 December 2015). The re-invention of solitude in late sixteenth- and seventeenth-century art (Unpublished). In: Solitudo: Spaces, Places, and Times of Solitude in Late Medieval and Early Modern Europe. Universität Bern. 9.-11.12.2015.
Göttler, Christine (25 November 2015). Wildachtige Constructionen: Einsamkeitsräume am Hof von Herzog Wilhelm V. von Bayern (Unpublished). In: Kunstgeschichtliches Seminar der Georg-August-Universität Göttingen. Georg-August-Universität Göttingen. 25.11.2015.
Göttler, Christine (2 October 2015). Keynote Lecture: Rubens’s saltcellar, Drebbel’s perpetuum mobile and an idol of the New World: Theorizing and imagining artifacts in early modern Antwerp and beyond (Unpublished). In: ANKK Jahrestreffen: Methodik zwischen Theorie und Praxis. Historische und aktuelle Ansätze in der niederländischen Kunst und Kunstgeschichte. Universität Bonn. 02.-04.10.2015.
Göttler, Christine (11 June 2015). Umwölkte Gestalten: Somnus und Morpheus in der niederländischen Kunst und Kunsttheorie um 1600 (Unpublished). In: Vorlesungsreihe: Ästhetik des Immateriellen: Künstlerische Konzepte des Unsichtbaren. Eberhard Karls Universität Tübingen. 11.06.2015.
Göttler, Christine (11 May 2015). Der Künstler als Morpheus: Der Stoff der Bilder bei Karel van Mander (Unpublished). In: Vorlesungsreihe Forschungsstelle Naturbilder / Images of Nature. Universität Hamburg. 11.05.2015.
Göttler, Christine (26 March 2015). Hendrick Goltzius’s Protean Allegory of the (Alchemical) Arts (1611) in the Kunstmuseum Basel (Unpublished). In: The Renaissance Society of America, The Sixty-first Annual Meeting, Session “Reflexive Image-Making (1500–1600) I: Allegories of Virtue and Virtuosity”. Berlin. 26.-28.03.2015.
Göttler, Christine (January 2015). Imaginationen der Seefahrt im Antwerpen des frühen 17. Jahrhunderts: Peter Paul Rubens’ Geburt der Venus für den portugiesischen Handelskaufmann Emmanuel Ximenez (Unpublished). In: Sammlungen im Spannungsfeld von Gelehrsamkeit, Meraviglia und heroischer Repräsentation. Albert-Ludwigs-Universität Freiburg. 22.-23.01.2015.
Göttler, Christine (October 2014). Self-Cultivation and Interior Retreat in Jesuit and Courtly Culture: Spaces of Prayer at the Court of Wilhelm V of Bavaraia (Unpublished). In: Jesuit Image-Theory in Europe and the Overseas Missions, 1540-1740. Münster. 09.-11.10.2014.
Göttler, Christine (September 2014). Eremiten, Bilder, Automaten: Die Gebetsgrotten Herzog Wilhelms V. von Bayern (Unpublished). In: Wie entstehen Raumkonzeptionen? 1600 und 1900 im Vergleich. Forum Scientiarum, Tübingen. 25.-26.09.2014.
Göttler, Christine (July 2014). Connecting Worlds in Early Seventeenth-Century Antwerp: Peter Paul Rubens’s Birth of Venus for the Portuguese Merchant-Banker Emmanuel Ximenez (Unpublished). In: Historians of Netherlandish Art Conference / American Association for Netherlandish Studies Conference. Boston. 05.-07.06.2014.
Göttler, Christine (April 2014). Connecting Seas in Early Seventeenth-Century Antwerp: Peter Paul Rubens (1577-1640) and Emmanuel Ximenez (1564-1632) (Unpublished). In: Connecting Seas Conference. Getty Research Institute, Los Angeles. 23.-24.04.2014.
Göttler, Christine (April 2014). The World of the Portuguese Merchant-Banker Emmanuel Ximenez in Early Seventeenth-Century Antwerp (Unpublished). In: Poetics and Pragmatics in the Portuguese World Empire. University of California, Berkeley. 03.04.2014.
Göttler, Christine (March 2014). Vulcan’s Forge: The Sphere of Art in Early Modern Antwerp (Unpublished). In: The Renaissance Society of America, The Sixtieth Annual Meeting. New York City. 27.-29.03.2014.
Raband, Ivo (2014). Archducal Acquisitions in Antwerp: The Account Book of Ernest of Austria (Unpublished). In: Göttler, Christine (ed.) 60. jährliche Konferenz der Renaissance Society of America im Panel Cultures of Things in Early Modern Antwerp III: Networks of Objects and Knowledge. New York, NY. 27.–29.03.2014.
Göttler, Christine (21 November 2013). Environments of Art and Prayer at the Bavarian Court in Munich, circa 1600: The Miraculous Lives of a Vesperbildt ascribed to Quinten Massys (Unpublished). In: Invited lecture at the Institute for Reformation Studies. University of St Andrews. 21.11.2013.
Göttler, Christine (9 November 2013). Converso Collectors. The (Religious) Worlds of the Portuguese Merchants in Seventeenth-Century Antwerp: Emmanuel Ximenez and His Circle of Friends (Unpublished). In: Nord et sud, protestant et catholique? Les conséquences de la réforme pour la production artistique des Pays-Bas du XVIIe siècle. Universität Genf. 8.-9. November 2013.
Göttler, Christine (13 September 2013). Der Riese von Antwerpen: Materialität und Künstlerwissen im Antwerpen des 16. Jahrhunderts (Unpublished). In: Praktiken der Frühen Neuzeit, Jahrestagung des Arbeitskreises Frühe Neuzeit, Verband der Historiker und Historikerinnen in Deutschland. Universität München. 12.-14. September 2013.
Göttler, Christine (11 June 2013). The Chamber of Sleep: On a Drawing by Karel van Mander (Unpublished). In: The Possessions of the Portuguese Merchant-Banker Emmanuel Ximenez (1564-1632): Connecting (Art) Histories in Early Modern Antwerp (workshop). Kunsthistorisches Institut in Florenz, Max-Planck-Institut. 11.-12.06.2013.
Göttler, Christine (25 May 2013). The Giant of Antwerp: Durability and Materiality in Early Modern Festival Culture (Unpublished). In: Ephemerality and Durability in Early-Modern Visual and Material Culture. Centre for Research in the Arts, Social Sciences and Humanities, Universität Cambridge. 24.-25. Mai 2013.
Göttler, Christine (23 May 2013). Golgotha in the 'constcamer': Art and prayer at the court of Emperor Rudolf II in Prague (Unpublished). In: Das Gebet in den Konfessionen und Medien der Frühen Neuzeit. Missionsakademie der Universität Hamburg. 21.-24. Mai 2013.
Göttler, Christine (11 April 2013). Die Versuchungen von Bischof Antoon Triest: Räume religiöser Imagination im 17. Jahrhundert (Unpublished). In: Invited lecture in der Ringvorlesung des Berner Mittelalterzentrums. Universität Bern. 11.04.2013.
Göttler, Christine (12 January 2013). The World Within: The Cave of Somnus and Other Dreamscapes (Unpublished). In: The World from Above: New Studies and Approaches of the 'World Landscape'. Lille und Brüssel. 10.-12. Januar 2013.
Göttler, Christine (2012). Antwerp, the Portuguese Merchants, and the Oriental Indies (Unpublished). In: Artistic Commerce and Confrontation in the Early Modern Portugese and Spanish Empires. Universität Zürich. 6.-7. Dezember 2012.
Göttler, Christine (2012). Imagination in the Chamber of Sleep: On a Drawing by Karel van Mander (Unpublished). In: Image, Imagination and Cognition. Early Modern Theory and Practice. Radbout University Nijmege, Niederlande. 31.Oktober-2. November 2012.
Göttler, Christine (2012). The Interior: A New SNSF-funded Research Project of the Institute of Art History at the University of Bern (Unpublished). In: -. Bard Graduate Center, New York. 18.10.2012.
Göttler, Christine (2012). Constructing a Global Interior: The Imagery of Collections and Collecting in Early Seventeenth-Century Antwerp (Unpublished). In: -. Bard Graduate Center, New York. 17.10.2012.
Göttler, Christine (2012). Retiring to the Wilderness of Mount Golgotha: A Vesperbildt attributed to Quentin Metsys at the Munich Court of Maximilian I and its Translations into Wax, Silk, Linen, and Other Natural Materials (Unpublished). In: Prayer Nuts, Private Devotion and Early Modern Art Collecting. Abegg-Stiftung, Riggisberg. 20.-21. September 2012.
Göttler, Christine (2012). Golgatha in der Kunstkammer: Künstlerwissen und religiöses Wissen im Zeitalter des Ikonoklasmus und der Reform (Unpublished). In: Tübinger Graduiertenkolleg Religiöses Wissen im vormodernen Europa (800-1800). Transfers und Transformationen – Wege zur Wissensgesellschaft der Moderne. Weingarten. 30. Juli-2. August 2012.
Göttler, Christine; Dupré, Sven (2012). Art, Alchemy, and Commerce: The Collection of the Portuguese Merchant-Banker Emmanuel Ximenes in Antwerp (Unpublished). In: International conference Early Modern Merchants as Collectors. Ashmolean Museum, Oxford. 15.-16. Juni 2012.
Göttler, Christine (2012). (Local) cosmopolitanism in seventeenth-century Antwerp: Collectors, connoisseurs, and lovers of art (Unpublished). In: Lecture Series Early Modern Cosmopolitanism. UCLA. 31.1.2012.
Göttler, Christine (2012). Artists as Alchemists, Artists versus Alchemist (Unpublished). In: Art and Alchemy. Max Planck Institute for the History of Science, Berlin. 9.-10. Februar 2012.
Göttler, Christine (2012). Translation as Animation: The Multiple Lives of Sacres Images in the Age of Iconoclasm and Reform (Unpublished). In: -. University of Groningen, Faculty of Arts. 23.5.2012.
Göttler, Christine (2012). Artefakte und kulturelle Identität: Die Sammlung des portugiesischen Handelskaufmanns Emmanuel Ximenes (1564-1632) in Antwerpen (Unpublished). In: Tagung des DFG-Graduiertenkollegs 1608/1: Praktiken der Selbst-Bildung im Spannungsfeld von ständischer Ordnung und gesellschaftlicher Dynamik. Carl von Ossietzky Universität Oldenburg. 16.-18. Februar 2012.
Göttler, Christine (2012). Malerei, Mythologie und Alchemie im Antwerpen des frühen 17. Jahrhunderts: Zu Rubens’ Silen in der Gemäldegalerie der Bildenden Künste in Wien (Unpublished). In: -. Institut für Kunstgeschichte, Johannes Gutenberg-Universität Mainz. 8.5.2012.
Göttler, Christine (2011). Das Reich des Somnus: Traum und Fantasie in der niederländischen Malerei, Berner Mittelalterzentrum, Ringvorlesung HS 2011: "Traum und Vision", Universität Bern, 15.12.2011.
Göttler, Christine (2011). Internationales Kolloquium: Artificii Occulti: Knowledge and Discernement in the Artistic and Scientific Cultures of the Netherlands and the Spanish Habsburg World (16th-17th Centuries), 12.-14.5.2011.
Göttler, Christine (2010). Meditation as animation: Willem Key's painting of the Pietà at the court of Maximilian in Munich, Sixteenth Century Studies Conference, Montréal, 14.-17. Oktober 2010.
Göttler, Christine (2010). Crossroads. Summer School, Universität Basel, Historisches Seminar, 31. August und 1. September 2010.
Göttler, Christine (2010). The Long and Multiple Lives of Images: Copying as Artistic Response, The Secret Lives of Artworks. Abschlusskonferenz Dutch Foundation of Scientific Research (NWO): Art, Agency and Living Presence, Universiteit Leiden, 24.-26. Juni 2010.
Göttler, Christine (2010). Temptation of the Senses at the Sacro Monte in Varallo, The Renaissance Society of America, The Fifty-Sixth Annual Meeting, Venedig, 8.-10. April 2010.
Göttler, Christine (2009). Antwer's Nova Reperta: The Jesuits, Peter Paul Rubens, and the Portuguese Alchemist Manuel Ximenes Sixteenth Century Studies Conference, Genf, 28.-30. Mai 2009.
Göttler, Christine (2009). The Love for the Small and the Curious: Paintings on Copper by the Children of Bacchus in Rome, CAA Los Angeles, 25.-28. Februar 2009, Sektion: Cabinet Pictures in Seventeenth-Century Europe; Sektions Leitung: Andreas Henning.
Göttler, Christine (2009). Die Kunst der Konversion: Antwerpen, die Jesuiten und die Neue Welt, Universität Luzern, Ringvorlesung zur jesuitischen Kultur in der Frühen Neuzeit, veranstaltet von Lucas Burkart, 13. Mai 2009.
Enenkel, Karl A. E.; Göttler, Christine (eds.) (2015). Intersections. Interdisciplinary Studies in Early Modern Culture. Brill
Borkopp, Birgitt; Göttler, Christine; Gramaccini, Norberto Giov.P.; Nicolai, Bernd; Schneemann, Peter Johannes (eds.) (2015). Neue Berner Schriften zur Kunst. Lang
Göttler, Christine; Moran, Sarah; Dupré, Sven (2014). Reading the Inventory: The Possessions of the Portuguese Merchant-Banker Emmanuel Ximenez (1564-1632) in Antwerp. In: Website.
