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Velasco-Pufleau, Luis (18 January 2024). A Struggle for Memory: Composer Hèctor Parra on his new opera "Justice". VAN Magazine VAN Verlag
Velasco-Pufleau, Luis (2024). Une lutte pour la mémoire : entretien avec Hèctor Parra à propos de son opéra Justice. Music, Sound and Conflict OpenEdition 10.58079/vmet
Velasco-Pufleau, Luis (2023). Listening is action : une promenade sonore avec Hildegard Westerkamp. Music, Sound and Conflict OpenEdition 10.58079/vf09
Velasco Pufleau, Luis (2023). Listening is Action: A Soundwalk with Hildegard Westerkamp. Performance Philosophy, 8(1), pp. 86-100. 10.21476/PP.2023.81430
Velasco-Pufleau, Luis (25 May 2023). Sounding Out Absent Bodies: Ghost Harmonies, Resonances and Remembering in Marisol Jiménez’s XLIII Memoriam Vivere (Unpublished). In: The Aesthetics of Absence in Music of the Twenty-First Century. Oslo. 25-26 May 2023.
Velasco-Pufleau, Luis (13 April 2023). Conflits armés contemporains, systèmes de notation et écologie documentale : penser à travers low intensity conflicts de Franck Leibovici (Unpublished). In: SICM 2023 – Le conflit dans la création musicale contemporaine : Violences, idéologies, territoires, hybridations. Paris. 13-14 April 2023.
Velasco-Pufleau, Luis (23 March 2023). Sonic Agencies, Hybrid Improvised Sounds and the Politics of Collective Memory in the Work of Marisol Jiménez (Unpublished). In: Music Discourses after 1970. Bern. 23-25 March 2023.
Velasco-Pufleau, Luis (13 November 2022). Music and Human Rights: Exploring New Relationships between Music and Politics in the Twenty-First Century (Unpublished). In: 2022 AMS-SEM-SMT Joint Annual Meeting. New Orleans. 10-13 November 2022.
Velasco-Pufleau, Luis (23 August 2022). Sounds, Echoes and Silences in Listening Experiences of Survivors of the Bataclan Terrorist Attack in Paris (Unpublished). In: 21st Quinquennial IMS Congress. Athens. 22-26 August 2022.
Velasco-Pufleau, Luis (8 July 2022). Exploring Trauma and Recovery through Listening Experiences of Survivors of the Bataclan Terrorist Attack in Paris: On the (Co-)Construction of Knowledge and Ethical Responsibility of Bearing Witness in Music Research (Unpublished). In: Music/Sound Through the Lens of Trauma: Methodology, Theory and History. Utrecht. 7-8 July 2022.
Velasco-Pufleau, Luis (23 June 2022). Cartographies of Meaning: Can musicians stand for Ukraine without participating in propaganda? VAN Magazine VAN Verlag
Velasco-Pufleau, Luis (2022). Musique et solidarité avec l’Ukraine : Comment les musiciens peuvent-ils s’opposer à la guerre sans devenir un instrument des dispositifs de propagande ? Music, Sound and Conflict OpenEdition 10.58079/rny1
Velasco-Pufleau, Luis (2022). La musique est-elle une arme de propagande comme les autres ? Réflexions sur l’écriture d’un texte d’opinion critique en contexte de guerre. Revue musicale OICRM, 9(1), pp. 181-193. Observatoire interdisciplinaire de création et recherche en musique (OICRM) 10.7202/1090521ar
Egli, Florian; Pearce, BinBin; Velasco-Pufleau, Luis (8 December 2021). So schaffen wir eine echte Brücke zwischen Wissenschaft und Gesellschaft. In: Higgs. Online: Scitec-Media GmbH
Velasco-Pufleau, Luis (6 October 2021). Only fear grew inside my body’: Ethics, femicide and compositional strategies in Hilda Paredes’ La tierra de la miel (Unpublished). In: Sounding Out Musical Ethics. London. 6 October 2021.
Velasco-Pufleau, Luis (8 September 2021). Did you say ‘music’? Exploring the relationship between narratives on musicology and ontological assumptions of music (Unpublished). In: Narrating musicology. Reviewing the history/histories of musicology. Bern. 5-8 September 2021.
Velasco-Pufleau, Luis (2021). Music, Noise and Conflict: Sociotechnical Imaginaries, Acoustic Agency and Ontological Assumptions about Sound. Journal of the Royal Musical Association, 146(2), pp. 501-508. Cambridge University Press 10.1017/rma.2021.18
