Symphonien aus dem Geiste der Vokalmusik. Zur Finalgestaltung in der Symphonik im 18. und frühen 19. Jahrhundert

Wegner, Sascha (2018). Symphonien aus dem Geiste der Vokalmusik. Zur Finalgestaltung in der Symphonik im 18. und frühen 19. Jahrhundert. Abhandlungen zur Musikwissenschaft. Stuttgart: Metzler 10.1007/978-3-476-04616-1

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The border between instrumental and vocal music is broken again and again in the history of symphony. Especially in the Finale, vocal melodies, imaginary chorales or entire choral tableaus are conspicuously frequent. What compositional structures and ideas underlie them, what cultural-historical significance do they have? At the centre of the study are exemplary investigations (works by Joseph Martin Kraus, Ludwig van Beethoven, Felix Mendelssohn Bartholdy, Franz Liszt), which are dedicated to individual 'vocalmusical models' and in so doing attempt to more fully appreciate their conditions, effects and stories.

Item Type:

Book (Monograph)

Division/Institute:

06 Faculty of Humanities > Department of Art and Cultural Studies > Institute of Musicology

UniBE Contributor:

Wegner, Sascha

Subjects:

700 Arts > 780 Music

ISBN:

978-3-476-04615-4

Series:

Abhandlungen zur Musikwissenschaft

Publisher:

Metzler

Language:

German

Submitter:

Sascha Wegner

Date Deposited:

28 Nov 2018 11:51

Last Modified:

14 Apr 2020 08:28

Publisher DOI:

10.1007/978-3-476-04616-1

Additional Information:

eBook: ISBN 978-3-476-04616-1

Uncontrolled Keywords:

Kraus, Joseph Martin; Beethoven, Ludwig van; Mendelssohn Bartholdy, Felix; Liszt, Franz; Sinfonie; Symphonie; Kompositionsgeschichte; Finale; Kulturgeschichte

URI:

https://boris.unibe.ch/id/eprint/121490

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