Wegner, Sascha (2018). Symphonien aus dem Geiste der Vokalmusik. Zur Finalgestaltung in der Symphonik im 18. und frühen 19. Jahrhundert. Abhandlungen zur Musikwissenschaft. Stuttgart: Metzler 10.1007/978-3-476-04616-1
Full text not available from this repository.The border between instrumental and vocal music is broken again and again in the history of symphony. Especially in the Finale, vocal melodies, imaginary chorales or entire choral tableaus are conspicuously frequent. What compositional structures and ideas underlie them, what cultural-historical significance do they have? At the centre of the study are exemplary investigations (works by Joseph Martin Kraus, Ludwig van Beethoven, Felix Mendelssohn Bartholdy, Franz Liszt), which are dedicated to individual 'vocalmusical models' and in so doing attempt to more fully appreciate their conditions, effects and stories.
Item Type: |
Book (Monograph) |
|---|---|
Division/Institute: |
06 Faculty of Humanities > Department of Art and Cultural Studies > Institute of Musicology |
UniBE Contributor: |
Wegner, Sascha |
Subjects: |
700 Arts > 780 Music |
ISBN: |
978-3-476-04615-4 |
Series: |
Abhandlungen zur Musikwissenschaft |
Publisher: |
Metzler |
Language: |
German |
Submitter: |
Sascha Wegner |
Date Deposited: |
28 Nov 2018 11:51 |
Last Modified: |
05 Dec 2022 15:20 |
Publisher DOI: |
10.1007/978-3-476-04616-1 |
Additional Information: |
eBook: ISBN 978-3-476-04616-1 |
Uncontrolled Keywords: |
Kraus, Joseph Martin; Beethoven, Ludwig van; Mendelssohn Bartholdy, Felix; Liszt, Franz; Sinfonie; Symphonie; Kompositionsgeschichte; Finale; Kulturgeschichte |
URI: |
https://boris.unibe.ch/id/eprint/121490 |
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