Velasco-Pufleau, Luis
(2022).
La musique est-elle une arme de propagande comme les autres ? Réflexions sur l’écriture d’un texte d’opinion critique en contexte de guerre.
Revue musicale OICRM, 9(1), pp. 181-193.
Observatoire interdisciplinaire de création et recherche en musique (OICRM)
10.7202/1090521ar
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This text critically considers the modalities and means musicologists have in order to contribute to public debates in a democracy about armed conflicts. Taking a reflexive approach, it recounts the process of writing and publishing an opinion piece about two solidarity concerts with Ukraine, organized in Vilnius and Berlin three weeks after the invasion ordered by Vladimir Putin on February 24, 2022. The following discussion addresses issues surrounding the publication of musicological research on politically sensitive topics in the form of opinion pieces.
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Item Type: |
Journal Article
(Original Article)
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Division/Institute: |
06 Faculty of Humanities > Other Institutions > Walter Benjamin Kolleg (WBKolleg) 06 Faculty of Humanities > Department of Art and Cultural Studies > Institute of Musicology |
UniBE Contributor: |
Velasco Pufleau, Luis Alberto |
Subjects: |
300 Social sciences, sociology & anthropology 700 Arts > 780 Music 900 History |
ISSN: |
2368-7061 |
Publisher: |
Observatoire interdisciplinaire de création et recherche en musique (OICRM) |
Funders: |
[164] Marie Skłodowska-Curie Actions (European Commission)
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Projects: |
[1590] Political Ontologies of Music: Rethinking the Relationship between Music and Politics in the Twenty-First Century Official URL
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Language: |
French |
Submitter: |
Luis Alberto Velasco Pufleau
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Date Deposited: |
12 Oct 2022 07:43 |
Last Modified: |
12 Jul 2023 06:41 |
Publisher DOI: |
10.7202/1090521ar |
Uncontrolled Keywords: |
guerre, musicologie, propagande, Russie, Ukraine, musicology, propaganda, Russia, Ukraine, war |
BORIS DOI: |
10.48350/173673 |
URI: |
https://boris.unibe.ch/id/eprint/173673 |
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