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van der Hoven, Lena; Velasco Pufleau, Luis Alberto (March 2024). Introduction - Conference „Exploring Gender-Based Violence and Femicide in Twentieth and Twenty-First Century Music Theatre“ (Unpublished). In: „Exploring Gender-Based Violence and Femicide in Twentieth and Twenty-First Century Music Theatre“. Universität Bern.
Velasco-Pufleau, Luis (18 January 2024). A Struggle for Memory: Composer Hèctor Parra on his new opera "Justice". VAN Magazine VAN Verlag
Velasco-Pufleau, Luis (2024). Une lutte pour la mémoire : entretien avec Hèctor Parra à propos de son opéra Justice. Music, Sound and Conflict OpenEdition 10.58079/vmet
Velasco-Pufleau, Luis (2023). Listening is action : une promenade sonore avec Hildegard Westerkamp. Music, Sound and Conflict OpenEdition 10.58079/vf09
Velasco Pufleau, Luis (2023). Listening is Action: A Soundwalk with Hildegard Westerkamp. Performance Philosophy, 8(1), pp. 86-100. 10.21476/PP.2023.81430
Velasco-Pufleau, Luis (25 May 2023). Sounding Out Absent Bodies: Ghost Harmonies, Resonances and Remembering in Marisol Jiménez’s XLIII Memoriam Vivere (Unpublished). In: The Aesthetics of Absence in Music of the Twenty-First Century. Oslo. 25-26 May 2023.
Velasco-Pufleau, Luis (13 April 2023). Conflits armés contemporains, systèmes de notation et écologie documentale : penser à travers low intensity conflicts de Franck Leibovici (Unpublished). In: SICM 2023 – Le conflit dans la création musicale contemporaine : Violences, idéologies, territoires, hybridations. Paris. 13-14 April 2023.
Velasco-Pufleau, Luis (23 March 2023). Sonic Agencies, Hybrid Improvised Sounds and the Politics of Collective Memory in the Work of Marisol Jiménez (Unpublished). In: Music Discourses after 1970. Bern. 23-25 March 2023.
Velasco-Pufleau, Luis (13 November 2022). Music and Human Rights: Exploring New Relationships between Music and Politics in the Twenty-First Century (Unpublished). In: 2022 AMS-SEM-SMT Joint Annual Meeting. New Orleans. 10-13 November 2022.
Velasco-Pufleau, Luis; Lussier, René (2022). Some have said I ‘manipulated history’: René Lussier on sound archives, people’s voices and Quebec history in Le trésor de la langue. Music, Sound and Conflict OpenEdition 10.58079/rny2
Velasco-Pufleau, Luis (23 August 2022). Sounds, Echoes and Silences in Listening Experiences of Survivors of the Bataclan Terrorist Attack in Paris (Unpublished). In: 21st Quinquennial IMS Congress. Athens. 22-26 August 2022.
Velasco-Pufleau, Luis (8 July 2022). Exploring Trauma and Recovery through Listening Experiences of Survivors of the Bataclan Terrorist Attack in Paris: On the (Co-)Construction of Knowledge and Ethical Responsibility of Bearing Witness in Music Research (Unpublished). In: Music/Sound Through the Lens of Trauma: Methodology, Theory and History. Utrecht. 7-8 July 2022.
Velasco-Pufleau, Luis (23 June 2022). Cartographies of Meaning: Can musicians stand for Ukraine without participating in propaganda? VAN Magazine VAN Verlag
Velasco-Pufleau, Luis (2022). Musique et solidarité avec l’Ukraine : Comment les musiciens peuvent-ils s’opposer à la guerre sans devenir un instrument des dispositifs de propagande ? Music, Sound and Conflict OpenEdition 10.58079/rny1
Velasco Pufleau, Luis (2022). Musique et violence : questions d’épistémologie. In: Joubert, Muriel; Touzé, Denis le (eds.) La Violence en musique. Mélotonia (pp. 107-112). Lyon: Presses Universitaires de Lyon
Velasco Pufleau, Luis (2022). Quand les célébrités s’exhibent : régimes de visibilités et abandon de la justice sociale dans les chansons humanitaires. In: Farré, Sébastien; Fayet, Jean-François; Taithe, Bertrand (eds.) L'Humanitaire s'exhibe (1867-2016) (pp. 354-372). Chène-Bourg: Georg éditeur
Velasco-Pufleau, Luis (2022). La musique est-elle une arme de propagande comme les autres ? Réflexions sur l’écriture d’un texte d’opinion critique en contexte de guerre. Revue musicale OICRM, 9(1), pp. 181-193. Observatoire interdisciplinaire de création et recherche en musique (OICRM) 10.7202/1090521ar
Egli, Florian; Pearce, BinBin; Velasco-Pufleau, Luis (8 December 2021). So schaffen wir eine echte Brücke zwischen Wissenschaft und Gesellschaft. In: Higgs. Online: Scitec-Media GmbH
Velasco-Pufleau, Luis (6 October 2021). Only fear grew inside my body’: Ethics, femicide and compositional strategies in Hilda Paredes’ La tierra de la miel (Unpublished). In: Sounding Out Musical Ethics. London. 6 October 2021.
Velasco-Pufleau, Luis (8 September 2021). Did you say ‘music’? Exploring the relationship between narratives on musicology and ontological assumptions of music (Unpublished). In: Narrating musicology. Reviewing the history/histories of musicology. Bern. 5-8 September 2021.
Velasco-Pufleau, Luis; Atlani-Duault, Laëtitia (eds.) (2021). Lieux de mémoire sonore : Des sons pour survivre, des sons pour tuer. Paris: Éditions de la Maison des sciences de l'homme 10.4000/books.editionsmsh.28800
Velasco-Pufleau, Luis (2021). Jihadi Anashid, Islamic State Warfare and the Agency of Sound. In: Siegel, Dina; Bovenkerk, Frank (eds.) Crime and Music (pp. 233-243). Cham: Springer 10.1007/978-3-030-49878-8_12
Velasco-Pufleau, Luis; Atlani-Duault, Laëtitia (2021). Lieux de mémoire sonore. In: Velasco-Pufleau, Luis; Atlani-Duault, Laëtitia (eds.) Lieux de mémoire sonore : Des sons pour survivre, des sons pour tuer (pp. 7-17). Paris: Éditions de la Maison des sciences de l’homme
Velasco-Pufleau, Luis (2021). Listening to Terror Soundscapes: Sounds, Echoes, and Silences in Listening Experiences of Survivors of the Bataclan Terrorist Attack in Paris. Conflict and society, 7(1), pp. 60-77. Berghahn 10.3167/arcs.2021.070105
Velasco-Pufleau, Luis (2021). Music, Noise and Conflict: Sociotechnical Imaginaries, Acoustic Agency and Ontological Assumptions about Sound. Journal of the Royal Musical Association, 146(2), pp. 501-508. Cambridge University Press 10.1017/rma.2021.18
Velasco-Pufleau, Luis (16 March 2020). Love, music and coronavirus. In: Music, Sound and Conflict. 10.58079/rnxx
Velasco-Pufleau, Luis (15 March 2020). Amour, musique et coronavirus. In: Music, Sound and Conflict. 10.58079/rnxw
Velasco-Pufleau, Luis; Paredes, Hilda (2020). On Music and Political Concerns: An Interview with Hilda Paredes. Revista Vórtex, 8(2), pp. 1-22. Universidade Estadual do Paraná 10.33871/23179937.2020.8.2.16
Velasco-Pufleau, Luis; Manoury, Philippe (2020). ‘It is important artists react to the world in which we all live’: An interview with Philippe Manoury on Lab.Oratorium. Tempo : a quarterly review of modern music, 74(293), pp. 6-13. Cambridge Univ. Press 10.1017/s0040298220000224
Velasco-Pufleau, Luis (2020). Introduction. Son, musique et violence. Transposition(Hors-série 2), pp. 1-11. Centre de Recherches sur les Arts et le Langage 10.4000/transposition.5067
Velasco-Pufleau, Luis; Atlani-Duault, Laëtitia (2020). Sounds of survival, weaponization of sounds: Exploring sonic lieux de mémoire. Violence : an international journal, 1(2), pp. 265-272. Sage 10.1177/2633002420976479
Velasco-Pufleau, Luis (2020). De la musique à la lutte armée, de 1968 à Action directe : entretien avec Jean-Marc Rouillan. Transposition(Hors-série 2) Centre de Recherches sur les Arts et le Langage 10.4000/transposition.3709
Velasco-Pufleau, Luis (2020). Introduction. Sound, Music and Violence. Transposition(Hors-série 2) Centre de Recherches sur les Arts et le Langage 10.4000/transposition.5160
Velasco-Pufleau, Luis (2020). From Music to Armed Struggle, from 1968 to Action Directe: An Interview with Jean-Marc Rouillan. Transposition(Hors-série 2) Centre de Recherches sur les Arts et le Langage 10.4000/transposition.3780
Velasco-Pufleau, Luis (2020). Transposition: Sound, Music and Violence, (Hors-série 2). OpenEdition Journals 10.4000/transposition.3213
Velasco-Pufleau, Luis; Atlani-Duault, Laëtitia (2020). Violence: An International Journal, 1(2). Sage
Velasco-Pufleau, Luis (2020). Sampling Sounds of War. In: Liechti, Hannes; Burkhalter, Thomas; Rhensius, Philipp (eds.) Sampling Politics Today. Norient Sound Series: Vol. 1. Bern: Norient 10.56513/nftg6449-9
Velasco-Pufleau, Luis (2020). Sampler la guerre : The End of Silence. In: Music, Sound and Conflict. 10.58079/rny0
Fryberger, Annelies; Velasco-Pufleau, Luis (2019). Spanish Composers within and without Borders: On National Belonging in the Work of Ramon Lazkano and Carlos de Castellarnau. Contemporary music review, 38(1-2), pp. 164-179. Taylor & Francis 10.1080/07494467.2019.1578127
Velasco Pufleau, Luis; Manoury, Philippe (2019). Lab.Oratorium et l’Europe : Entretien avec Philippe Manoury. L'Étincelle(19), pp. 10-11. IRCAM
Velasco-Pufleau, Luis (2018). Critical reflections on music and humanitarian narratives. Arts & International Affairs, 3(2), pp. 25-32. 10.18278/aia.3.2.3
Velasco Pufleau, Luis (2015). One says Mexico: The Mexican Soundscapes of Stefano Scodanibbio. Glissando(26), pp. 117-122.
Velasco-Pufleau, Luis (2011). La Liga de Escritores y Artistas Revolucionarios (L.E.A.R.) : l'antifascisme communiste au Mexique. Aden, 10(1), pp. 184-204. Groupe interdisciplinaire d'études nizaniennes 10.3917/aden.010.0184
