Liechti, Hannes (10 August 2017). Sampling Stories Vol. 9: Dr. Das. Norient - Network for Local and Global Sounds and Media Culture
Full text not available from this repository. (Request a copy)Nearly thirty years on, sampling remains central to the tracks of English producer Aniruddha Das. Although he takes most of his samples of Indian and Arabic percussion from two CDs, his creative strategies in processing them are almost limitless and ever developing. As a part of Asian Dub Foundation and more recently also with his personal project Dr. Das he understands sampling as a political, yet militant instrument. In the interview he gives insight into his sampling practice and talks about musical exoticism, political meaning, and the use of distortion within his tracks, self-labelled as «dubnoiz». This interview is an exploration in eight chapters, each of them introduced by one track of Dr. Das' album Caustic (self-released 2017).
Item Type: |
Newspaper or Magazine Article |
|---|---|
Division/Institute: |
06 Faculty of Humanities > Department of Art and Cultural Studies > Institute of Musicology |
Graduate School: |
Graduate School of the Arts (GSA) |
UniBE Contributor: |
Liechti, Hannes |
Subjects: |
700 Arts > 780 Music |
Funders: |
[42] Schweizerischer Nationalfonds |
Projects: |
[872] Glokale Sounds - Wie Tracks Referenzen auf Orte verarbeiten und neu kodieren Official URL |
Language: |
English |
Submitter: |
Hannes Liechti |
Date Deposited: |
13 Dec 2017 09:15 |
Last Modified: |
05 Dec 2022 15:08 |
URI: |
https://boris.unibe.ch/id/eprint/107187 |
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