Liechti, Hannes (1 April 2018). Sampling Stories Vol. 16: Eomac. Norient – Network for Local and Global Sounds and Media Culture
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Official URL: https://norient.com/blog/sampling-stories-vol-16-e...
Sample-based electronic music often relies on extra-musical content such as media material from YouTube that, however, remains unknown to the listener. Tracing the genesis of a track by electronic producer Ian McDonnell (Eomac, Lakker) we can follow the steps to learn how sampling is used to replace a conventional vocal track. Last but not least this sampling strategy opens a bundle of continuative questions on the circulation and handling of media material in times of Web 2.0.
Item Type: |
Newspaper or Magazine Article |
|---|---|
Division/Institute: |
06 Faculty of Humanities > Department of Art and Cultural Studies > Institute of Musicology |
Graduate School: |
Graduate School of the Arts (GSA) [discontinued] |
UniBE Contributor: |
Liechti, Hannes |
Subjects: |
700 Arts > 780 Music |
Funders: |
[42] Schweizerischer Nationalfonds |
Projects: |
[872] Glokale Sounds - Wie Tracks Referenzen auf Orte verarbeiten und neu kodieren Official URL |
Language: |
English |
Submitter: |
Hannes Liechti |
Date Deposited: |
11 Jun 2019 15:52 |
Last Modified: |
05 Dec 2022 15:26 |
Uncontrolled Keywords: |
Music Production, Sampling, Ethics, Voyeurism, Remix Culture |
URI: |
https://boris.unibe.ch/id/eprint/126307 |
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