Liechti, Hannes (28 August 2018). Sampling Stories Vol. 19: Kritzkom. Norient – Network for Local and Global Sounds and Media Culture
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Official URL: https://norient.com/blog/sampling-stories-vol-19-k...
Processes of sampling sometimes happen completely hidden for the listener. The samples are not audible at all, audible but not recognizable, or they are not even physically present in the track. Berlin-based producer Kritzkom rarely works with samples and, accordingly, on her 2016 techno track «Inner March for Utopia» synth basses and melodies dominate. But if one digs deeper one can find the traces of a sample of the Kurdish national anthem.
Item Type: |
Newspaper or Magazine Article |
|---|---|
Division/Institute: |
06 Faculty of Humanities > Department of Art and Cultural Studies > Institute of Musicology |
Graduate School: |
Graduate School of the Arts (GSA) [discontinued] |
UniBE Contributor: |
Liechti, Hannes |
Subjects: |
700 Arts > 780 Music |
Funders: |
[42] Schweizerischer Nationalfonds |
Projects: |
[872] Glokale Sounds - Wie Tracks Referenzen auf Orte verarbeiten und neu kodieren Official URL |
Language: |
English |
Submitter: |
Hannes Liechti |
Date Deposited: |
11 Jun 2019 16:01 |
Last Modified: |
05 Dec 2022 15:26 |
Uncontrolled Keywords: |
Music Production, Sampling, War, Remix Culture |
URI: |
https://boris.unibe.ch/id/eprint/126311 |
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