Velasco-Pufleau, Luis (2020). Introduction. Sound, Music and Violence. Transposition(Hors-série 2) Centre de Recherches sur les Arts et le Langage 10.4000/transposition.5160
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Listening can become a tool for exploration of, engagement with and sensorial knowledge of the world. Music can be a device for projecting, framing and preparing for confrontation with the enemy. How can the study of sound and music help us to understand collective violence and war? How can the study of war and collective violence help us to understand the importance of musical practices and listening for human beings? This special issue of Transposition explores these questions through an analysis of the links between sound, music and violence.
Item Type: |
Journal Article (Original Article) |
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Division/Institute: |
06 Faculty of Humanities > Department of Art and Cultural Studies > Institute of Musicology 06 Faculty of Humanities > Other Institutions > Walter Benjamin Kolleg (WBKolleg) > Interdisciplinary Research and Graduate Network (IRN) |
UniBE Contributor: |
Velasco Pufleau, Luis Alberto |
Subjects: |
700 Arts > 780 Music 300 Social sciences, sociology & anthropology 700 Arts |
ISSN: |
2110-6134 |
Publisher: |
Centre de Recherches sur les Arts et le Langage |
Language: |
English |
Submitter: |
Luis Alberto Velasco Pufleau |
Date Deposited: |
08 Mar 2021 17:02 |
Last Modified: |
05 Dec 2022 15:48 |
Publisher DOI: |
10.4000/transposition.5160 |
Additional Information: |
Hors-série 2 |
Uncontrolled Keywords: |
agency, auditory regime, Dante, listening, music, sound, violence, war |
BORIS DOI: |
10.48350/153354 |
URI: |
https://boris.unibe.ch/id/eprint/153354 |
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