Di Blasi, Luca (2012). One Divided by Another. Split and Conversion in Pasolini’s San Paolo. In: Di Blasi, Luca; Gragnolati, Manuele; Holzhey, Christoph F. E. (eds.) The Scandal of Self-Contradiction Pasolini’s Multistable Subjectivities, Geographies, Traditions. Cultural Inquiry: Vol. 6 (pp. 189-207). Wien: Turia + Kant 10.37050/ci-06_11
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While Christian churches dramatically lost ground during the last decades (at least in European societies), in this very period one of the major Christian figures, Saint Paul, attracted the interest of leading ‘progressive’ intellectuals and philosophers like Pier Paolo Pasolini, Alain Badiou, Slavoj Žižek, or Giorgio Agamben. In the following text, by focusing on Pasolini and his uncompleted film project San Paolo, I will concentrate on the notion of the split.
Item Type: |
Book Section (Book Chapter) |
|---|---|
Division/Institute: |
01 Faculty of Theology > Institute of Systematic Theology 01 Faculty of Theology > Institute of Systematic Theology > Dogmatics and Philosophy of Religion |
UniBE Contributor: |
Di Blasi, Luca Daniele |
Subjects: |
100 Philosophy 200 Religion > 210 Philosophy & theory of religion |
ISSN: |
2627-728X |
ISBN: |
978-3-85132-681-9 |
Series: |
Cultural Inquiry |
Publisher: |
Turia + Kant |
Language: |
English |
Submitter: |
Luca Daniele Di Blasi |
Date Deposited: |
04 May 2022 14:27 |
Last Modified: |
05 Dec 2022 16:18 |
Publisher DOI: |
10.37050/ci-06_11 |
Uncontrolled Keywords: |
Pasolini, Pier Paolo – San Paolo, Paul Saint, multistable figures, motion picture play, Motion picture autorship, division (split), conversion, Badiou Alain, Agamben Giorgio |
BORIS DOI: |
10.48350/169130 |
URI: |
https://boris.unibe.ch/id/eprint/169130 |
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