Hagmann, Lea Salome

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2022

Hagmann, Lea; Moeckli, Laura; Ottomano, Vincenzina; Scharrer, Margret (eds.) (2022). Swiss Journal of Musicology, 38. Bern Open Publishing

Hagmann, Lea (15 February 2022). Keltische Music in Cornwall: Entstehung eines neuen Musikgenres (Unpublished). In: Buch am Mittag. Bern. 15. 2. 2022.

2021

Hagmann, Lea (17 December 2021). Das Trigger-Wort „Authentizität“ in Musik-Revivals (Unpublished). In: Musicking Collective. Hochschule der Künste Bern. 15.–17. Dezember 2021.

Hagmann, Lea (27 October 2021). Ethnomusicology Beyond Academia (Unpublished). In: Conférence du Master en ethnomusicologie. Genève. 27. Oktober 2021.

Hagmann, Lea (23 October 2021). Ethnomusicology Beyond Academia (Unpublished). In: Herbsttagung / Réunion d’automne der CH-EM. Luzern. 23. Oktober 2021.

Hagmann, Lea (2021). Celtic Music and Dance in Cornwall : Cornu-Copia. London and New York: Routledge https://doi.org/10.4324/9781003140559

Hagmann, Lea (17 September 2021). Forgotten, Manipulated, Created: Archiving Cornish Music (Unpublished). In: EthnomusicologyandIntangibleCulturalHeritage inthe21stCentur. Valladolid, Spain. 13.–18. September 2021.

Hagmann, Lea (9 April 2021). Of Mermaids and Surf-Waves: Depictions of the Sea in Neo-Cornish Traditions (Unpublished). In: BFE Annual Conference. online. 8. – 11. April 2021.

Hagmann, Lea (2021). Ethnomusicology Today. Produced by Society for Ethnomusicology. Edited by S. Harvey. (In Press). Yearbook for traditional music, 53, pp. 208-210. The International Council For Traditional Music

2020

Hagmann, Lea Salome (2020). 'It's Gold dust what she's doing!' Female Engagement in Transforming the Cornish Music and Dance Revival. In: Roud, Stephen (ed.) Locating Women in the Folk (pp. 53-58). Worthing: Sussex Tradition

Hagmann, Lea; Welti, Franziska (23 April 2020). ChorOnline: A Transnational Singing Project (Submitted).

Hagmann, Lea Salome (2020). “It’s gold dust what she’s doing!” (Unpublished). In: Locating Women in 'The Folk' – An interdisciplinary conference : Perspectives on women’s contributions to folk song, folklore, and cultural traditions.. University of Sussex. 19.06.2018.

Hagmann, Lea; Andres Morrissey, Franz (2020). Multiple Authenticities of Folk Songs. In: Claviez, Thomas; Imesch, Kornelia; Sweers, Britta (eds.) Critique of Authenticity (pp. 183-206). Wilmington: Vernon Press

Hagmann, Lea Salome (2020). Cornish Bagpipes: Fact and Fiction (Submitted). In: A World of Bagpipes. Routledge

Hagmann, Lea Salome (2020). Beyond Tradition - Jodel, Join, Krimanchuli [Movie]. ExtraMileFilms GmbH

2019

Hagmann, Lea Salome (7 September 2019). In Search of Cornish Identity Through Dancing and Performing Bodies (Unpublished). In: XXXV European Seminar in Ethnomusicology. University of Durham, UK. 3.-7.9.2019.

Hagmann, Lea Salome (17 July 2019). Formation and Dissolution of Cultural Borders in the Cornish Dance Revival (Unpublished). In: The 45th International Council for Traditional Music (ICTM) World Conference 2019. Chulalongkorn University, Bangkok, Thailand. 11.-17. Juli 2019.

Hagmann, Lea Salome (19 April 2019). Challenging Collaborations: local musicians, local academics and the scholar from abroad (Unpublished). In: 2019 BFE Annual Conference. Elphinstone Institute, Aberdeen, UK. 11.-14. April.

Hagmann, Lea Salome; Sweers, Britta (2019). Local Music. In: Sturman, Janet (ed.) The Sage International Encyclopedia of Music and Culture. The Sage International Encylopaedia: Vol. 1 (pp. 1349-1352). Thousand Oaks: Sage publications

Hagmann, Lea Salome (9 March 2019). Back to the Roots? Auf der Suche nach keltischen Wurzeln im Musik- und Tanz-Revival Cornwalls (Unpublished). In: Schweizerische Musikforschende Gesellschaft (SMG) Vortrag. Universität Bern. 9.3.2019.

Hagmann, Lea Salome (2019). „Georgisch singen ist für mich eine Art zu mir selbst zu finden!“ Reflexionen über die Komplexität zur ganzheitlichen Vermittlung einer fremden Kultur am Schweizer Radio SRF. Bulletin GVS/CH-EM 2019, pp. 47-51.

Hagmann, Lea Salome (2019). Das Gästebuch der „Mahogere“. Erinnerungen an die Berner Folk-Szene der wilden Siebziger. Bulletin GVS/CH-EM, pp. 45-46.

2018

Hagmann, Lea Salome (16 November 2018). Female Engagement in Transforming the Cornish Music and Dance Revival (Unpublished). In: 63rd Annual Meeting of the Society for Ethnomusicology. Albuquerque, USA. 15-18/11/2018.

Hagmann, Lea Salome (6 September 2018). When Expectation transforms Experience: Celtification in Cornwall (Unpublished). In: Experience and Expectation. Riga. 03 - 07/09/2018.

Hagmann, Lea Salome; Simonett, Helena (20 August 2018). Musical Agency of Young Refugees (Unpublished)

Hagmann, Lea Salome (29 June 2018). Formation and Dissolution of Cultural Borders in the Cornish Dance Revival (Unpublished). In: 7th International Conference - Power, Politics and, the Dancing Body. Limerick, Ireland. 28. 6. - 1. 7. 2018.

Hagmann, Lea Salome (14 June 2018). Georgisches Singen im Aufwind. In: Kontext. SRF2 Kultur

Hagmann, Lea Salome (6 May 2018). Zürich tanzt auf sein Reformationsjubiläum zu. In: Blickpunkt Religion. SRF2 Kultur

Hagmann, Lea Salome (29 April 2018). Daniel Schnyder & Friends auf der Klingenden Seidenstrasse. In: Musikabend. SRF2 Kultur

Hagmann, Lea Salome (26 February 2018). Auftritt mit Heimvorteil: die Tschechische Philharmonie in Genf. In: Musikabend. SRF2 Kultur

Hagmann, Lea Salome (12 February 2018). Creating Celtic Identity in the Cornish Music Revival (Unpublished). In: Music and Identity. Tremough Campus, Penryn UK. 12/02/2018.

Hagmann, Lea Salome (4 January 2018). Festival Murten Classics: Von der Muse geküsst. In: Im Konzertsaal. SRF2 Kultur

2016

Andres Morrissey, Franz; Hagmann, Lea (19 November 2016). Multiple Authenticities of Folk Song Performance (Unpublished). In: Theories and Practice of Authenticity in Global Cultural Production. University of Bern, Switzerland. 16.-19.11.2016.

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