Sampling Sounds of War

Velasco-Pufleau, Luis (2020). Sampling Sounds of War. In: Liechti, Hannes; Burkhalter, Thomas; Rhensius, Philipp (eds.) Sampling Politics Today. Norient Sound Series: Vol. 1. Bern: Norient 10.56513/nftg6449-9

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What are the political implications and ethical concerns of sampling sounds of war? This is a critical question raised by The End of Silence, a 2013 record from the British composer Matthew Herbert based entirely on a six-second field recording of the Libyan civil war. Musicologist Luis Velasco-Pufleau examines this question and argues that sound and music can enable critical examinations of the rationale of war.

Item Type:	Book Section (Book Chapter)
Division/Institute:	06 Faculty of Humanities > Department of Art and Cultural Studies > Institute of Musicology 06 Faculty of Humanities > Other Institutions > Walter Benjamin Kolleg (WBKolleg) > Interdisciplinary Research and Graduate Network (IRN)
UniBE Contributor:	Velasco Pufleau, Luis Alberto
Subjects:	300 Social sciences, sociology & anthropology 700 Arts 700 Arts > 770 Photography & computer art 700 Arts > 780 Music
ISSN:	2673-639X
Series:	Norient Sound Series
Publisher:	Norient
Funders:	[4] Swiss National Science Foundation
Projects:	[1368] Political Ontologies of Music: Rethinking the Relationship between Music and Politics in the Twentieth and Twenty-First Centuries Official URL
Language:	English
Submitter:	Luis Alberto Velasco Pufleau
Date Deposited:	10 Mar 2021 10:35
Last Modified:	29 May 2023 10:09
Publisher DOI:	10.56513/nftg6449-9
Uncontrolled Keywords:	Field recording, Music and Politics, Music and War, Matthew Herbert, Sebastian Meyer, The End of Silence, Music and ethics, Libya, War photography
URI:	https://boris.unibe.ch/id/eprint/153574