Rossman, Sasha (2020). “On Neutral Grounds: Gerard Ter Borch’s The Swearing of the Oath of Ratification of the Treaty of Münster, 15 May 1648”. In: Chedeville, Émilie; Jollet, Étienne; Sourdin, Claire (eds.) Le Fond de l'œuvre. Arts visuels et sécularisation à l'époque moderne. Histo.art: Vol. 12 (pp. 153-177). Paris: Editions de la Sorbonne
![[img]](https://boris.unibe.ch/style/images/fileicons/text.png) |
Text
TerBorch-Rossman.pdf - Published Version Restricted to registered users only Available under License Publisher holds Copyright. Download (4MB) |
This contribution analyzes the role of tables in the development of early modern peace conferences as well as their representation in painting and print.
Item Type: |
Book Section (Book Chapter) |
|---|---|
Division/Institute: |
06 Faculty of Humanities > Department of Art and Cultural Studies > Institute of Art History > Recent and Modern Art History 06 Faculty of Humanities > Department of Art and Cultural Studies > Institute of Art History |
UniBE Contributor: |
Rossman, Aleksandr Balashov |
Subjects: |
700 Arts 700 Arts > 750 Painting 700 Arts > 760 Graphic arts |
Series: |
Histo.art |
Publisher: |
Editions de la Sorbonne |
Language: |
English |
Submitter: |
Aleksandr Balashov Rossman |
Date Deposited: |
19 Aug 2022 15:19 |
Last Modified: |
05 Dec 2022 16:22 |
Uncontrolled Keywords: |
tables, peace, early modern, politics, history |
BORIS DOI: |
10.48350/172137 |
URI: |
https://boris.unibe.ch/id/eprint/172137 |
Actions (login required)
 |
Edit item |