Liechti, Hannes (9 August 2017). Sampling Stories Vol. 8: Dubokaj. Norient - Network for Local and Global Sounds and Media Culture
Full text not available from this repository.Digging traces of sampling in the tracks of Swiss producer and – as he calls himself – «dub scientist» Daniel Jakob aka Dubokaj led me to two interesting potentials of the production method: sampling as a hidden means of producing tracks and sampling ambient sounds as cultural signifiers. Listening to his recent album Alpine Dub (Mouthwatering Records 2016) and emailing with the artist back and forth, a few samples caught my attention: among them a drum beat by Nigerian percussionist Babatunde Olatunji and some animal bells. To learn more about these samples I met Daniel in his studio in Bern.
Item Type: |
Newspaper or Magazine Article |
|---|---|
Division/Institute: |
06 Faculty of Humanities > Department of Art and Cultural Studies > Institute of Musicology |
Graduate School: |
Graduate School of the Arts (GSA) [discontinued] |
UniBE Contributor: |
Liechti, Hannes |
Subjects: |
700 Arts > 780 Music |
Funders: |
[42] Schweizerischer Nationalfonds |
Projects: |
[872] Glokale Sounds - Wie Tracks Referenzen auf Orte verarbeiten und neu kodieren Official URL |
Language: |
English |
Submitter: |
Hannes Liechti |
Date Deposited: |
13 Dec 2017 09:17 |
Last Modified: |
05 Dec 2022 15:08 |
URI: |
https://boris.unibe.ch/id/eprint/107186 |
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