Liechti, Hannes (10 February 2018). Sampling Stories Vol. 14: Olivia Louvel. Norient – Network for Local and Global Sounds and Media Culture
Full text not available from this repository. (Request a copy)It was early 2016 when female:pressure launched their #rojava campaign. With a bundle of tracks, a Bandcamp compilation, videos, discussions, and more, the international network of female, transgender, and non-binary artists in the fields of electronic music and digital arts aimed to raise awareness around the resistance movement taking place in the cantons of Rojava in Northern Syria. Here, we meet sound artist Olivia Louvel who has done an audiovisual piece for this project. How does one approach such a project? What role does sampling play? And what kind of ethical questions do arise?
Item Type: |
Newspaper or Magazine Article |
|---|---|
Division/Institute: |
06 Faculty of Humanities > Department of Art and Cultural Studies > Institute of Musicology |
Graduate School: |
Graduate School of the Arts (GSA) |
UniBE Contributor: |
Liechti, Hannes |
Subjects: |
700 Arts > 780 Music |
Funders: |
[42] Schweizerischer Nationalfonds |
Projects: |
[872] Glokale Sounds - Wie Tracks Referenzen auf Orte verarbeiten und neu kodieren Official URL |
Language: |
English |
Submitter: |
Hannes Liechti |
Date Deposited: |
11 Jun 2019 15:45 |
Last Modified: |
05 Dec 2022 15:26 |
Uncontrolled Keywords: |
Ethics, Sampling, Remix Culture, Money, War, Music Production |
URI: |
https://boris.unibe.ch/id/eprint/126305 |
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