12 Faculty Centers > Center for Cultural Studies (CCS)

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Jump to: 2023 | 2022 | 2021 | 2020 | 2017 | 2013 | 2011 | 2010 | 2009
Number of items at this level: 27.

2023

Bürki, Yvette (2023). Why is it important to transmit Spanish as a heritage language? Spanish values at the Latin American School of Berne. Babylonia, 1, pp. 70-75.

Scheide, Carmen (April 2023). Atrocities without Ideology: The Secret Field Police in the German-Soviet War (Unpublished). In: NS-Ideologies. Berlin. 26.4.-27.4.2023.

Bürki, Yvette; Martínez Guillem, Susana (2023). El discurso publicitario. In: López Ferrero, Carmen; Carranza, Isolda E.; van Dijk, Teun A. (eds.) Estudios del discurso: The Routledge Handbook of Spanish Language Discourse Studies (pp. 352-366). Abingdon & New York: Routledge/Taylor & Francis Group 10.4324/9780367810214-29

2022

Bürki, Yvette (2022). “Pride” and “profit”: The values of Spanish as a heritage language among Latin Americans in German-speaking Switzerland. In: Márquez Reiter, Rosina; Patiño-Santos, Adriana (eds.) Language practices and processes among Latin Americans in Europe. Routledge Studies in Hispanic and Lusophone Linguistics (pp. 178-207). Abigdon & New York: Routdledge

Bürki, Yvette (2022). El español como lengua de herencia: entre identidad y utilidad. Un estudio de caso. Lengua y migración, 14(1), pp. 93-122. Universidad de Alcalá 10.37536/LYM.14.1.2022.1441

Hagmann, Lea (15 February 2022). Keltische Music in Cornwall: Entstehung eines neuen Musikgenres (Unpublished). In: Buch am Mittag. Bern. 15. 2. 2022.

2021

Hagmann, Lea (17 December 2021). Das Trigger-Wort „Authentizität“ in Musik-Revivals (Unpublished). In: Musicking Collective. Hochschule der Künste Bern. 15.–17. Dezember 2021.

Hagmann, Lea (27 October 2021). Ethnomusicology Beyond Academia (Unpublished). In: Conférence du Master en ethnomusicologie. Genève. 27. Oktober 2021.

Hagmann, Lea (23 October 2021). Ethnomusicology Beyond Academia (Unpublished). In: Herbsttagung / Réunion d’automne der CH-EM. Luzern. 23. Oktober 2021.

Hagmann, Lea (17 September 2021). Forgotten, Manipulated, Created: Archiving Cornish Music (Unpublished). In: EthnomusicologyandIntangibleCulturalHeritage inthe21stCentur. Valladolid, Spain. 13.–18. September 2021.

Hagmann, Lea (9 April 2021). Of Mermaids and Surf-Waves: Depictions of the Sea in Neo-Cornish Traditions (Unpublished). In: BFE Annual Conference. online. 8. – 11. April 2021.

2020

Hagmann, Lea Salome (2020). 'It's Gold dust what she's doing!' Female Engagement in Transforming the Cornish Music and Dance Revival. In: Roud, Stephen (ed.) Locating Women in the Folk (pp. 53-58). Worthing: Sussex Tradition

Hagmann, Lea Salome (2020). Beyond Tradition - Jodel, Join, Krimanchuli [Movie]. ExtraMileFilms GmbH

2017

Pirhulyieva, Jakhan (7 April 2017). “The Function of Urban Space in "In the Skin of a Lion" by Michael Ondaatje” (Unpublished). In: Postgraduate symposium "Placing, Spacing, Displacing". University of Malta. April 7-8, 2017.

2013

Shaw, Wendy (2013). Cubism in Turkey, 1933-1953: Belated? Bergsonian? Bektashi? (Unpublished). In: Conference of the Association for Modern and Contemporary Art of the Arab World, Iran, and Turkey. New York University. 18.-19.10.2013..

Shaw, Wendy (2013). Troy and the Notion of ‘Treasure’ (Unpublished). In: Troy and Turkey: New Perspectives on Turkey’s Cultural Heritage. Allard Pierson Archaeology Museum, Amsterdam, Holland. 21.-22.03.2013.

2011

Shaw, Wendy M.K. (2011). Where did the Women Go? Female Artists from the Ottoman Empire to the Early Years of the Turkish Republic. Journal of women's history, 13(1), pp. 13-37. Bloomington, Ind.: Johns Hopkins University Press 10.1353/jowh.2011.0008

Shaw, Wendy M.K. (2011). Why Care about Ottoman Women Artists? Journal of women's history Bloomington, Ind.: Johns Hopkins University Press

2010

Shaw, Wendy M.K. (2010). From Whose Hand to Whose Eye: Representing Identity in Contemporary Art Biel: Centre Pasquart

Shaw, Wendy M.K. (2010). Between the Secular and the Sacred: a new face for the department of the holy relics at the Topkapi Palace Museum". Material religion - the journal of objects, art and belief, 6(1), pp. 129-131. London: Bloomsbury 10.2752/174322010X12663379393738

Shaw, Wendy M.K. (2010). Ottoman Painting: Reflections of Western Art from the Ottoman Empire to the Turkish Republic. London: IB Tauris Publishers

Shaw, Wendy M.K. (2010). Between the Sublime and the Picturesque: Mourning Modernization and the Production of Orientalist Landscape. In: Roberts, Mary; Lewis, Reina; Inankur, Zeynep (eds.) The Poetics and Politics of Place: Ottoman Istanbul and British Orientalism. The Poetics and Politics of Place: Ottoman Istanbul and British Orientalism (pp. 115-126). Istanbul: Pera Museum

Shaw, Wendy M.K. (2010). Colloquium: 40 ans de patrimoine (1970-2010), University of Geneva, December 17-18, 2010.

Shaw, Wendy M.K. (2010). Cubism on the Bosporus, conference, Modernity in Translation, Munich Center of Advanced Studies, December 2, 2010.

Shaw, Wendy M.K. (2010). Invited speaker, "Contemporary Art in China", in conjunction with the Focus China exhibit, Messe, Luzern, June 28, 2010.

Shaw, Wendy M.K. (2010). Im Unterbau des Alltäglichen. Neue Zürcher Zeitung (NZZ)(3.4.2010)

2009

Shaw, Wendy M.K. (2009). Shirine Hamadeh, The City's Pleasures. Istanbul in the Eighteenth Century, University of Washington Press, Seattle 2007; Lucienne Thys-Senocak, Ottoman Women Builders. The Architectural Patronage of Hadice Turhan Sultan, Ashgate Publishing, Burlington 2007 [Rezension]. Journal of the Society of Architectural Historians JSAH, 69(1), pp. 122-123. Chicago, Ill.: Society of Architectural Historians

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